A Quote by Rachel Dratch

I did Second City, and Nia Vardalos also did Second City, so I knew her from there. — © Rachel Dratch
I did Second City, and Nia Vardalos also did Second City, so I knew her from there.
I met my wife, Nia Vardalos, at The Second City, and she was chomping at the bit to move to L.A.
I always honestly dreamed of coming to Second City in Chicago, although I've never even been there to see a show. But I did a ton of sketch comedy at the Second City in LA, which (at the time, in a different location) wasn't really a theater, it was just a space where you took some classes.
But what I kept wondering about is this: that first second when she felt her skirt burning, what did she think? Before she knew it was candles, did she think she'd done it herself? With the amazing turns of her hips, and the warmth of the music inside her, did she believe, for even one glorious second, that her passion had arrived?
There's such a freewheeling nature to 'Second City,' and the greatest thing about 'Second City' was having a sophisticated audience night after night who appreciated what it was. They knew it wasn't all going to be great when you improvised, so they were very forgiving that way.
My stepfather had a connection with The Second City and told me I should go there. I woke up in a cold sweat one night and said, 'I'm moving to Chicago.' That's how I went to Second City.
I always enjoyed writing. I did playlets in high school, I did radio shows in college. That's one of the reasons I went down to Second City, because you could do acting and writing.
I learned more at The Second City than I did at Yale for all that high tuition.
I grew up in Chicago and was a huge fan of 'The Second City', so when I moved to L.A., I was looking for anything that resembled that... then I started 'The Groundlings', so I went to a show and it was very much like 'Second City'. I was so impressed that that same night I went backstage and I went up to the funniest person there.
I started off at the Second City in Chicago... It's an improvisational theater that ostensibly does social and political satire, but when I was there, we generally didn't. We did character work, and we did just the silliest things we could think of. We weren't all that concerned with, you know, changing the world through mime.
Second City Las Vegas is very different from Second City in Chicago on the main stage, where they do improv sets. That's how they kind of hone material, kind of work up to new material.
After college, I knew I wanted to work in comedy, so the first thing I did was go to where the comedy was. I moved from Charlottesville to Chicago, because that's where The Second City and Improv Olympics are. You have to go wherever you need to go to study what interests you.
I had, like, two goals in my career: One was to try to get into 'Second City.' When I moved to Chicago, my goal was to try to work at 'Second City.' And beyond that, my goal was to make enough money as an actor to not do anything else but act, not have to go and wait tables again.
Tim Duncan did it. Dirk Nowitzki did it. I just want to be one of those guys... that stays for the city, play for the city for 20 years.
I did a lot of commercial and theater work when I got out of school and was living in Dallas, and I moved to Chicago to go through the Second City Conservatory Program.
In the ancient city of London, on a certain autumn day in the second quarter of the sixteenth century, a boy was born to a poor family of the name of Canty, who did not want him.
It was if the city knew about Percy's dream of Gaea. It knew that the earth goddess intended on razing all human civilization, and this city, which had stood for thousands if years, was saying back at her: You wanna dissolve this city, Dirt Face? Give it a shot. In other words, it was the Coach Hedge of mortal cities- only taller.
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