A Quote by Rachel Field

I was never one to begrudge people their memories. From a child I would listen when they spoke of the past. — © Rachel Field
I was never one to begrudge people their memories. From a child I would listen when they spoke of the past.
When I was a child, I spoke like a child. When I was an adult, I no longer spoke like a child. When I became old and wise, I spoke again like a child. I wish I had spoken all my life like a child.
You have your wonderful memories," people said later, as if memories were solace. Memories are not. Memories are by definition of times past, things gone. Memories are the Westlake uniforms in the closet, the faded and cracked photographs, the invitations to the weddings of the people who are no longer married, the mass cards from the funerals of the people whose faces you no longer remember. Memories are what you no longer want to remember.
We never thought it would be something everyone would listen to. We never thought people who listen to Britney Spears would run to listen to it. It was intended for people on the fanatical side of production and hi-fi.
When I was a child, women spoke to me of how all they had was their memories, how their husbands went to war and never came back, so many tragedies. That chorus of voices filled my consciousness. It was part of life itself.
Originally the structure was . . . a modern narrator who would appear intermittently and talk about his memories of his grandmother, which would then be juxtaposed against scenes from the past. But the stories from the past were always more interesting that the things in the present. I find this almost endemic to modern plays that veer between past and present. . . . So as we've gone on developing GOLDEN CHILD, the scenes from the past have become more dominant, and all that remains of the present are these two little bookends that frame the action.
When a child speaks of a past life memory, the effects ripple far. At the center is the child, who is directly healed and changed. The parents standing close by are rocked by the truth of the experience - a truth powerful enough to dislodge deeply entrenched beliefs. For observers removed from the actual event - even those just reading about it - reports of a child's past life memory can jostle the soul toward new understanding. Children's past life memories have the power to change lives.
Listen to the mustn'ts, child. Listen to the don'ts. Listen to the shouldn'ts, the impossibles, the won'ts. Listen to the never haves, then listen close to me... Anything can happen, child. Anything can be.
I've never tried to block out the memories of the past, even though some are painful. I don't understand people who hide from their past. Everything you live through helps to make you the person you are now.
Obviously the facts are never just coming at you but are incorporated by an imagination that is formed by your previous experience. Memories of the past are not memories of facts but memories of your imaginings of the facts.
The autobiographical self is built on the basis of past memories and memories of the plans that we have made; it's the lived past and the anticipated future.
Dreams are composed of many things, my son. Of images and hopes, of fears and memories. Memories of the past, and memories of the future.
God bless you if you have one child, but I don't think anybody should have just one child. Everybody needs a sibling. I have siblings, and I have so many amazing, precious memories with my siblings. I don't know what I would do if I had been an only child.
I would watch movies and listen to music that you wouldn't think a child would listen to.
Anchorites used to ill-treat themselves in the way they did, so that the common people would not begrudge them the beatitude they would enjoy in heaven.
The mutability of the past is the central tenet of Ingsoc. Past events, it is argued, have no objective existance, but survive only in written records and in human memories. The past is whatever the records and the memories agree upon. And since the Party is in full control of all records, and in equally full control of the minds of its members, it follows that the past is whatever the Party chooses to make it.
Sometimes when she told stories about the past her eyes would get teary from all the memories she had, but they weren't tears. She wasn't crying. They were just the memories, leaking out.
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