A Quote by Rachel Griffiths

I'm quite intuitive about what I pick. Often it's to do with what I've just done and how I'm feeling. — © Rachel Griffiths
I'm quite intuitive about what I pick. Often it's to do with what I've just done and how I'm feeling.
The band that changed my life was The Who. It's hard to pick just one album, but if I had to pick the one that really showed me how things could be done, it's 'The Who Sell Out.' They really went to town on that, doing something that no one had ever done before.
Shudder, in fact, is not quite the word for the feeling. Feeling is not quite the word for the feeling. How's bathing at knifepoint in the phlegm of the dead? Is that a feeling?
To know how to choose a path with heart is to learn how to follow intuitive feeling.
People who keep a large snake in their apartment building, which happens quite a bit, all of a sudden, within two summers, have a 14-foot animal that's eating adult rabbits, and needs quite a bit of room and quite a bit of heat. That's the animal that gets put in the back of a pick-up truck and dumped into the Florida Everglades or the city lake, or just left on a doorstep - again, it's quite often the animal that suffers.
Quite often - a lot of the work I had done had been extensively with women. Most especially in the theater, but also quite often in the movies. That has its own delights, and maybe pitfalls too.
The wonderful thing about Apple technology is just how intuitive it is.
Quite often, I have a compelling sense of how a role should be played. And I'm proved - equally as often - quite wrong.
I think it’s because there's quite a few of us now but because we’re less frequent than American actors - because Hollywood is the place to be for actors - and there's just a big rush when an Australian comes over just because there's less of them. I guess that's just how it is. Like if you pick a pink jellybean out of a jar of green ones it’d be amazing, but if you pick a green one, no one will care.
I've just written this six-part sketch comedy series, which I've never done before. And I don't know how to pitch it. Am I supposed to just pick up a camera and put stuff on YouTube? Is that how it works?
I've done that quite often, but I've got to be quite honest... as much as you would want to only do one at a time, sometimes projects overlap and there's nothing you can do. Sometimes you to have begin writing a new project just as you're finishing off another.
Over the course of six amateur fights and two professional fights I learned a lot about how to get things done, how to pick myself up after disappointment, how to work through frustration and how to process moments of success.
My experience with the National Theatre in Kracow often involved many changes of storyline and character. This was particularly useful when working with a director such as Pawel Pawlikowski who is quite intuitive and demands flexibility in an actor.
I could never be a part of an adaptation of a film where there's pressure to not disappoint the immense fan base. In those cases, they often wind up with filmed books on tape, quite uncinematic. Having said that, I'd say all the adaptations I've done are quite faithful to the original... You have to pick and choose which storylines and plot threads, because you don't have the time to kill in the film as they have in novels. All those pages with detours and plots and different storylines. But films add a lot, and you gotta keep it moving.
I've done really well on one core principle which is, I think I have an intuitive ability to understand consumer behavior more than the average bear, and I'm not scared to bet the farm on that gut feeling.
When I was in 4th grade, my mom was diagnosed with oral cancer. It was not looking good, it was serious when they found it. Obviously, I didn't know much about what was going on. I remember feeling a lot of guilt about it, feeling like I somehow contributed to it. I think that's just something that kids often do.
A design is intuitive when people just know what to do and they don’t have to go through any training to get there When a design is not intuitive, our attention moves away from what we’re trying to accomplish to how we can get the interface to accomplish what we want.
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