A Quote by Rachel Hurd-Wood
A really irritating thing when you're watching a film is if somebody's accent isn't bang-on - it distracts you from getting into the story because you're thinking: 'Where are they from?'
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I can remember, when I was in college, irritating deeply somebody I was going out with, because he would ask me what I was thinking and I would say I was thinking nothing. And it was true.
Somebody pointed out to me that there's no horror film on my resume, which is true, but I also don't really go see those movies. Although when I was thinking about it, I was thinking "I would probably have a really nice beach house if I made a horror movie." They seem to be very popular. I just don't think it's my thing.
In a fiction film, we know at some level we've suspended disbelief. In a documentary, we know that we're watching a drama unfold in the world because of the movie we're watching that is real. That has enormous stakes for the whole society, and we, by the act of watching, complete the story.
Bang! Bang! Bang! Sorry Mr. Yipes, sir, she won't budge!' Put your back into it, man, give it all you've got!' Bang! Bang! Bang!
When I was a kid, we watched the Vietnam War on the six o'clock news, and it was desensitizing. You felt you were watching a war film; meanwhile you were really watching these guys getting blown to bits. Parents need to protect their kids from watching that stuff.
People have suggested that perhaps we are too affluent to be telling this story, which is amazing to me because then I wonder what story I am allowed to tell. Having been working with the homeless for the past years, I noticed lots of things about them, but one thing I really noticed was that they were probably too busy just getting though the day to make a film about themselves.
I didn't want to be on screen not nailing an American accent. It's an insult to an American! There are plenty of great American actors who can already do an American accent, so me, coming in and stealing their roles, the one thing I have to perfect is the accent. So for years I practiced. And we're lucky because the whole world is raised on a library of American movies. I would pretend to be Jim Carrey, and, I say Robin Williams now because he's in my mind, but those actors really inspired us to be crazy and be theatrical.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.
I make a film - and once I've made it, everyone comes along and says 'Ah! This is a film that's political, or social', or whatever. But I'm not telling the story that they see. I made a film, told a story, but I wasn't thinking about exactly what it all meant.
I remember reading the script for 'Dangerous Liaisons' and thinking that I could quite happily spend the rest of my life watching this film; the story and the writing were so wonderful.
I keep forgetting I'm speaking in an American accent sometimes. The dangerous thing is that you end up forgetting what your real accent is after a while! It's really strange; I've never done a job in an American accent before.
Because I'm Irish, I've always done an accent. Not doing an accent is off-putting because I sound like me. I love doing an accent. Doing the accent from West Virginia was great, and we had to get specific with it.
Sometimes, I'd take shots without aiming, just to see what happened. I'd rush into crowds - bang! bang! ... It must be close to what a fighter feels after jabbing and circling and getting hit, when suddenly there's an opening, and bang! Right on the button. It's a fantastic feeling.
Indian audiences these days aren't really interested in watching a character on screen evolve. They don't want to see a young girl evolve into being a partner and enter motherhood - they are only really concerned about the story. As long as the story is getting interesting with every passing episode, they want more.
I really want to do a film in another language. My dad's from Germany, so it'd be really cool to do a film in German. I'm not quite fluent, but I can get there. And my accent's pretty good. I wouldn't feel too out of my element.
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