A Quote by Rachel Johnson

I'm worried about looking like a bad person when, in fact, I try to be a good person. I don't like the public image that I've been dressed with and it worries me. — © Rachel Johnson
I'm worried about looking like a bad person when, in fact, I try to be a good person. I don't like the public image that I've been dressed with and it worries me.
When I look at me, I think I'm a good catch. Why wouldn't somebody like me for me? I'm a pleasant person. I'm an intelligent person. I'm a good person. I'm not bad looking. Why wouldn't I be able to get somebody to like me?
The worries that are the burden of which the privileged person makes an excuse in dealing with the oppressed person are in fact the worries about preserving his privileged condition.
Give a truly good person power, and they’re still a good person. Give a bad person power, and they’re still a bad person. The question is always about the person in between. The one that isn’t evil, or good, but just ordinary. You don’t always know what an ordinary person is like on the inside.
Journalists like to invent a person, and it's not necessarily the person that they're writing about. The image the tabloids try to create of me and Bob is very different from how we really are. They try to make us out to be mad jokers. But I wouldn't want to put journalists down. That's their job.
A struggle in my life is to feel like I'm a good person and to feel like I'm a nice person. I try to be and anytime I fall short of that it feels really bad.
I was a bit worried coming back to the Premiership from America, but I have been pleased with my form, and the interest I have received has been good for my ego. I have no worries about my fitness, and I am really looking forward to the season starting now.
I always feel like when I work with people, I work with everybody - from the person that's working the camera to the person that's running the water to the person that's putting the clothes on me, the person that's combing my hair, my makeup, the person that's like, 'You gotta sign these papers.' I try to hang out with everybody.
If someone has been bad to me, I believe in being good to that person. It's my way of getting back. Because that person is going to feel guilty about it.
There are good and bad critics like good or bad artists. A good critic says why they didn't like it. A bad critic gives it away that they don't like you as a person. I quite like that as well, because it means that I've won.
It's almost like living a double life where I'm in a limbo space where Amanda Knox, a real person, exists, 'Foxy Knoxy,' an idea of a person, exists, and I'm constantly having to juggle how someone is interacting with me based upon that two-dimensional person of me that has been in the public's imagination for so long.
You can know a person is a good person or a bad person by who they are, not by what they look like.
Essentially, I'm a very real person; good and bad. And the public image is one of being very good, I suppose. But one of the reasons I'm attracted to people like Martin Luther King, Jr., Gandhi, Christ, to pacifism, is because naturally, I'm the guy that would not turn the other cheek - but, when people see you're attracted to that, they think you are that.
I have never yet met a healthy person who worried very much about his health, or a really good person who worried much about his own soul.
We don't like to say it, but TV is a hugely image-conscious industry. I know it might sometimes look like I don't do anything, but I work very hard, and part of that is looking as well as you can. It's an advert about who you are, what sort of person you are.
The only person I do worry about, that I want to be a good person for, I think is my responsibility, is my sister. I'm going to be cool for you, okay. I like, I need to, I like being by myself right now. I think it's good for me.
I'm very much in favor of focused responsibility, and so in the main areas that I'm worried about, I try to have a single person who is basically the key person in that area.
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