A Quote by Rachel Joyce
I think of myself as a very ordinary person. I like writing about the juxtaposition between people: the beauty of them at times and then the banal, everyday context in which we find ourselves.
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I like writing people from a slightly sharp angle and then throwing more light on them. I think in life we see somebody and make judgments very quickly about who they are and what they are. Or we think people are boring because they appear ordinary.
As you get drawn more and more into other activities, like political activities, very demanding, you have to find different rhythms of writing; I think that's the word I'm looking for, rhythms of creativity which then, of course, become very intense. I think your writing then tends to be very intensified simply because there are other demands which seem equally important.
That's one thing brands are understanding is, I'm the blogger who's not writing about fashion. I'm not writing about beauty. I'm not writing about gossip. I'm not writing about politics. I'm writing about all of that. I'm the person they can come to if they just want to reach people who care and have their fingers on pop culture.
There is little or no magic about them, except the ordinary everyday sort which helps them to disappear quietly and quickly when large stupid folk like you and me come blundering along, making a noise like elephants which they can hear a mile off.
I've been pretty well treated by the critics, but the critics who didn't like my comedies hated them with an unbridled passion, and then I would see these same people writing very respectfully about ordinary naturalistic plays.
Beauty is everywhere and it comes in all different forms. Many times I don't find a size zero girl amazing, I find her really shockingly thin or small, and I think that beauty comes in all different forms. Beauty is about how you feel. There are plenty of people who are amazing to look at who are super beautiful, and then there are plenty of people who are easy to look at who are not beautiful at all, they open their mouth or they have an attitude or they are cruel, and they look hideous suddenly.
Writing about conflict has provided these dramatic opportunities to talk about really substantial moments in a person's life. I'm not writing about superheroes; I'm writing about ordinary people.
Banality is like boredom: bored people are boring people, people who think that things are banal are themselves banal. Interesting people can find something interesting in all things.
If our Christianity has ceased to be serious about discipleship, if we have watered down the gospel into emotional uplift which makes no costly demands and which fails to distinguish between natural and Christian existence, then we cannot help regarding the cross as an ordinary everyday calamity, as one of the trials and tribulations of life. We have then forgotten that the cross means rejection and shame as well as suffering .
I've played the wicked mothers; I've played the serial-killer-type mothers now. They have to have an edge on them. They can't just be everyday moms, because I never thought of myself as an everyday person in cinema - I'm an everyday person in real life, like anyone. But not in what I project out there. I want something more exciting.
I find it very difficult to relate to India's new middle class. This very patriotic and neoliberal group that mixes religion and economics together. I find them very irksome. Very difficult to like. They are privileged, but they don't want to talk about their privilege. It's difficult to find poetry amongst these people. Some sort of hidden spirit of beauty.
Good old Pete. That's me. But I find it hard to think of myself in the first person when I'm writing about The Who. So many times he has willingly sat down to write about the good old Who. Isn't he too old to masturbate?
Serious crime is very, very rare, and I think all of us are interested because they are rare and unusual. If they were banal and everyday, we wouldn't be interested in them at all.
Everyone seems to see bleakness and despair in my books. I don't read them that way. I see myself as writing comic books, books about ordinary people trying to live ordinary, dull, happy lives while the world is falling to pieces around them.
I came, then, to serve my Church first of all, and the whole world, that is, every person I find along my way. I serve and I will give of myself unto death so that there will be no distance between speaking and doing, so that the people will never again say, 'there is a chasm between us and the leaders' and word spread that the Church is far from her people. I know very well that our people are good and that they want from us today to go to them, to seek them out wherever they are, to search out the lost and return them joyfully to the fold. They hunger and thirst for the Word of God.
I've often had the fortune to work on projects with a small theme I find very interesting enough to pursue and to be passionate about in the context of the story, then it may turn out there's a universality about my character which still resonates with many people as well.
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