A Quote by Rachel Keller

When I look at my body, I'm like, 'I'm a lead of a TV show?' To have a man in the business say, 'Come along just as you are,' is really an incredible thing. — © Rachel Keller
When I look at my body, I'm like, 'I'm a lead of a TV show?' To have a man in the business say, 'Come along just as you are,' is really an incredible thing.
Script is not finished until it's finished. There's many times, partway through a film, when an idea comes, and I say, "How beautiful this is. This thing was not complete and look what's happened, look what's come along." And it just came along at what might be called a strange time rather than a normal time.
You know, back when I was a kid who wanted to be in show business, everybody on TV wore nice clothes. They were very glamorous when they would be on the 'Tonight Show.' All the dudes wore suits and ties and that just seemed like real show business to me.
I love the TV show, and if you make a bad movie it means you've soiled it. Just like if we made an advert. We were offered so many times and I'd say, look, this is the good thing, and you can't compromise that, because then you compromise the integrity of the characters.
There is no business like show business, Irving Berlin once proclaimed, and thirty years ago he may have been right, but not anymore. Nowadays almost every business is like show business, including politics, which has become more like show business than show business is.
I still look at that water, and I look at Moana's hair, and I'm just like, "How is this even happening?" It's such an incredible mix of technical mastery and wizardry. It's really incredible. It's layers and layers and layers. It's not unlike building a musical. It's really pretty cool.
My family's been in show business since the 1700s. I traced them. I'm bred to this. Like a racehorse. A thoroughbred. Look at my parents, my God. But it was my curiosity that made me do this. Because you could also say: "Look at Frank Sinatra Jr." It's not like a natural thing that happens. You gotta work.
You didn't plan to write a story; it just happened. Well, it could be argued that the next thing you should do is find a hole to dig. Right? So you start digging a hole and then somebody brings a body along and puts it in. That's what a story must feel like to me. It's not that you say, "I want to write a story about a gravedigger." But you're walking along and "I don't know what I'm doing here in this story,' and - boop! a shovel. "Oh, interesting. Ok, what does one do with a shovel? Digs a hole. Why? I don't know yet. Dig the hole! Oh, look a body."
Anybody who really knows about the TV business knows that it would be impossible to just march in one day and say to your colleagues and bosses, 'Oh yes, I'm hosting my own show.'
I think that I sort of see other actresses are kind of proud of the way they look and show it off. That's never really been my style. I really don't think that it's disgusting or wrong, if you're 18 you're 18, it's your body, it's your right to show yourself, however, I don't really take a part in that. I like to look nice, but I think that there's ways of doing it that are more tasteful than just wearing a bikini wherever you go.
I used to watch TV in the days that I was on TV. But in that time, streaming has come along. So I can honestly say, I have no idea what's on real-time TV.
That's what Letterman did. He mocked everything and everyone in show business, even though he was at the top of show business. He was in it but not really of it, and that's one thing I came to love about him. I mean, you can't sit there and interview Cher and pretend you're not in show business, but he managed to pull it off somehow.
My upbringing was very un-Hollywood. I was born in New York and grew up on a ranch. I was never really smitten by the business in those days, never a fan type - just a basic kid watching TV. It wasn't like I was an insider. I was never really brought into the show business side of my father's life. I guess that's been a blessing and a downfall. But it's made my own work the initiation.
I think 'Nathan for You' is a really funny show, along with 'The Grinder' and 'Baskets.' I really like 'Man Seeking Woman.' It's the coolest show because they just do weird stuff, and it doesn't feel weird; they make it normal somehow, which I applaud. And 'Broad City' - I think those guys are awesome.
It [the memoir "In The Body of the World"] wrote me. I joke about it, but this book was so unusual. It just started to come out. I really feel like it came straight from my body. I think it was both an expression of what I had gone through, but also it just felt like everything had come together in my body and it needed to tell that story.
There's something about that idea of looking up and hoping, and thinking, 'I'm good.' Some things, like show business, are absolutely subjective. People look at a TV show and think, 'I could do that.' And maybe they could do that. But they're not.
I keep it real normal, like I don't try to act like a celebrity, or say that just because I'm on a TV show I can do other types of TV. I take it very seriously and I respect the art of acting.
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