A Quote by Rachel Khoo
As a woman you have to tick all these boxes to be able to be on TV. I know I look a certain way and that's partly why I'm on TV. If I were really ugly and fat, I don't think I'd have had the same chance.
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There's something really cool about TV. TV, you get the luxury of having the same people around. It is such a blessing when you get a TV job. You really have a chance to get to make, like, work friends. I think TV is one of the few mediums where I've had the opportunity to get to know my crew members.
The first time I was on TV, on "Flight of the Conchords," someone put up a YouTube clip and said, 'You're too ugly to be on TV.' And I was like, 'That is exactly why it's a good thing that I'm on TV.'
I'll never forget, Christine Woods came up to me on set and she looked at me so seriously and held my hand, and she's like, "Kether, look at me. In real life, we are beautiful, beautiful women. No one thinks we're fat. In TV, we are TV fat and we just have to get used to it. Don't ever take it personally. We're TV fat. End of story".
If you are an ugly woman, you have no chance of getting a TV job.
When I was younger and really interested in acting, I would look at all the women on TV, and even the ones who were supposed to be 'geeks' or 'less attractive,' they all looked similar because they were extremely attractive and their bodies were all a certain way.
I honestly think if I had made a ton of money as an actor, I wouldn't have done anything else. (Hah!) Then I turned to writing plays. If that paid me well, I don't know if I would have turned to TV. Or coaching. I've now devised a combination of things partly because I'm having fun, and partly because I'm piecing together a way to make a living.
When I was younger, I didn't know television presenting was a thing, which is how I totally got my foot in the door. But I didn't really know that was a job. I never really had a TV or watched TV, and I really just wanted to be an actor.
I think something that's very relevant in real life and that they don't portray enough on TV is that when you think 'Christian,' you think 'goody two shoes' - they have to look a certain way and do certain things - and it's just not true.
The chance to tell personal, language-specific, culturally specific stories is really flourishing on TV and I think it's just the nature of movies and international demands that you need to get a much bigger audience. TV is more like independent film was. The forms of adult drama and certain kinds of sophisticated comedy, there's no room for them in the tentpole movie universe.
We've never seen a really fashionable, smart, powerful fat woman on TV before.
I grew up completely overwhelmed by TV, and part of the reason why I have gone into television is as a way to justify to myself all those wasted hours of watching TV as a kid. I can now look back and say, 'Oh, that was research.'
Music is relegated to an underground, relatively obscure group of listeners. It's partly because of the nature of the medium. With a piece of visual art, you can look at something ugly, brutal and in your face, but it's kind of - there it is. It doesn't take you over in the same way that putting on the music at a certain volume does.
I always have the TV on. When there's no TV, I play music. I like having noise. I think that's why New York is so suitable for me, because it's never really fully quiet.
The song 'Conceited' on 'There's Something About Remy' was inspired by people always telling me that I'm so much prettier in person or that I've lost so much weight since they saw me on TV. I don't even know if that's a compliment. Were you watching me on TV thinking I was ugly?
When I got to 'Looking,' I didn't know that you could write stuff and they would put it on TV. That was that experience. My boss was Andrew Haigh and he came from film; he had never done TV. It was his first TV show, and he was running it. And I think he was like, 'Write it, and we'll put it on.' It was lovely.
What I had heard about TV is that it's very rigid - that you have to hit your mark, look a certain way, do certain things, that there is no freedom artistically - and that's my worst nightmare. I don't work well in rigid environments.
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