A Quote by Rachel Klein

How do we know that our life really happened and that we are not simply accumulating details, making it all up as we go along? — © Rachel Klein
How do we know that our life really happened and that we are not simply accumulating details, making it all up as we go along?
We all love to sing along with our favorite songs. We sing in the car, in the shower, and at the karaoke bar. The problem is that half the time we don't know what we're singing. We're making up lyrics as we go along and hoping no one will notice.
Most argument, and in fact most conflict, has nothing to do with the present. It's always about the past or the future. People can't agree on the details of what has happened or is going to happen. But we rarely know what has happened, and we never know what is going to happen. What is really at dispute is how we will deal with not knowing.
I just really care about what people see. I want them to know that I'm working hard for this. The artists that I look up to like, you know, Michael, Prince, James Brown. You watch them and you understand that they're paying attention to the details of their art. And they care so much about what they're wearing, about how they're moving, about how they're making the audience feel. They're not phoning it in. They're going up there to murder anybody that performs after them or performs before them. That's what I've watched my whole life and admired.
Growing up on a farm in the '70s and '80s was just idyllic, you know, but I look at the difference in the way that my kids have grown up and how I've really done so much and dedicated my life and my heart and soul to making their life as easy as possible, because we always want our children to have it better than we had it.
I go through life accumulating possessions... I've always done it... and then, every once in a while, a sort of tidal wave comes along and washes them all away.
It is too facile to say that the way to follow Tao is to simply go along with the flow of life. Sometimes, like the carp, we must know when to go it alone.
Like everybody, I'm making up my life as I go along.
People really want to think that these things really happened. I don't know why that important, but I know that when I finish reading a novel or something, I want to know how much of that really happened to this author.
People really want to think that these things really happened. I don't know why that is important, but I know that when I finish reading a novel or something, I want to know how much of that really happened to this author.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
The sin of worldliness is a preoccupation with the things of this temporal life. It's accepting and going along with the views and practices of society around us without discerning if they are biblical. I believe that the key to our tendencies toward worldliness lies primarily in the two words “going along”. We simply go along with the values and practices of society.
I glanced up to see Liz and smiled. "Thank you." "I just went along for the ride. After that happened-" She waved at Derek. "You know how blind people need Seeing Eye dogs? Well, apparently werewolves could really use Opening Door poltergeists.
When we don't have all the details about our characters, we have to make it up to fill in all the details. So, for me, writing and acting go hand in hand.
If you don't have to lie, you don't have to remember anything. You can just go. That's really where I'm at. It's just making it up as I go along.
I was always screwing around with music, but I really wanted to go to film school when I was in high school. I guess what happened was that I didn't get into Tisch, that's what happened. I got deferred. And I went to Hampsire and ended up making music like everybody else there.
Our culture is hung up on and overemphasises what can be derived from material objects. I think this is something quite new, over the past 200 or 300 years - that life has become about accumulating material wealth. The 21st century is not about accumulating material wealth like the 20th century. It's already eroding.
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