A Quote by Rachel Kushner
I don't really have those kinds of intentions when I write a scene. I try to follow the internal logic of the fiction, rather than make an argument or an assertion.
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Increasingly, those who used to teach and write critical or theoretical texts are writing fiction, poetry and so on; and kinds of texts are being produced that call for budding readers rather different from those who studied literature in the past.
Instead of improvisers who want to be funny by themselves, we aim to try and make the scene itself as funny as possible. As a creator, I think that's someone you'd rather work with, whether it's a movie or a sitcom; that kind of methodology is good for collaboration. People want to be with those kinds of performers.
When I was in my early to mid-teens, that was a very heavy diet of science fiction and fantasy, so those were the kinds of books I tended to imagine writing someday, or even began to try to write.
There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.
Try to find someone with a sense of humor. That's an important thing to have because when you get into an argument, one of the best ways to diffuse it is to be funny. You don't want to hide away from a point, because some points are serious, but you'd rather have a discussion that was a discussion, rather than an argument.
I have said that science is impossible without faith. ... Inductive logic, the logic of Bacon, is rather something on which we can act than something which we can prove, and to act on it is a supreme assertion of faith ... Science is a way of life which can only fluorish when men are free to have faith.
I really do like a really good science fiction movie and a really good horror movie. Those are the kinds of things I really like. But, I mean, I'm not into sort of like slasher movies. I like a really good science fiction movie, which is hard to do. They don't make many really good ones any more.
Really, I've worked my whole adult life at fiction, to try and write fiction.
When you're writing a book that is going to be a narrative with characters and events, you're walking very close to fiction, since you're using some of the methods of fiction writing. You're lying, but some of the details may well come from your general recollection rather than from the particular scene. In the end it comes down to the readers. If they believe you, you're OK. A memoirist is really like any other con man; if he's convincing, he's home. If he isn't, it doesn't really matter whether it happened, he hasn't succeeded in making it feel convincing.
The more I think about our species the more I think we just do stuff and make up explanations later when asked. But it's not true that I would rather write than read. I would rather read than write. To be honest I would rather hang upside down in a bucket than write.
I try and write satire that's well-intentioned. But those intentions have to be hidden. It can't be completely clear, and that's what makes it comedy.
I can't read fiction without visualizing every scene. The result is it becomes a series of pictures rather than a book.
I know to argue against our online lives seems like the argument of the grumpy, old Luddite novelist, but I really always try to make the argument from the perspective of personal pleasure.
When you're writing fiction or poetry... it really comes down to this: indifference to everything except what you're doing... A young writer could do worse than follow the advice given in those lines.
I write non-fiction quicker, and I write it on a computer. Fiction I write longhand, and that helps make it clear that it comes from a slightly different part of the brain, I think.
I listen to a lot of different kinds of music and rather than just doing one thing when I make an album, the challenge to myself is to write all these diverse tracks, but to make them work. It's like a jigsaw because if you've got a lyrical track going into a hard rock track... it's got to work. You've got to write things that will work together.
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