A Quote by Rachel Kushner

I do study Marcel Proust, for multiple technical virtuosities but also his swerve, as you say, between characters and in scenes. Certain films can help for that, too, in terms of understanding how multiple conversations at a table, or in a room, can take place and remain separate, and dissonant, and also gather themselves, accidentally, into a collective rhythm and an affect.
I tend to favour films that have multiple plot and story lines, multiple characters and ensemble pieces.
All I needed was a steady table and a typewriter...a marble-topped bedroom washstand table made a good place; the dining-room table between meals was also suitable.
When it comes to our collective health, how we deal with the multiple crises and problems around us also depends on the power of context - in other words, our resilience.
There’s a reason why players that have multiple championships have multiple championships. There’s a certain characteristic and an understanding and knowledge and that’s not something that’s easily taught. You kind of have to go through it and it kind of has to be part of your DNA from the beginning.
When I first started you would pitch a story because without a good story, you didn't really have a film. Later, once sequels started to take off, you pitched a character because a good character could support multiple stories. and now, you pitch a world because a world can support multiple characters and multiple stories across multiple media.
There is quality work happening on the web and there is room for everybody to work. It is not just about hero or heroine thing on the web. The focus is also on multiple characters.
What I picked up on Michael Jackson - because I study people when I watch them - the way that he counts his rhythm with his feet and his neck at the same time is crazy... so he's hearing multiple things at once. And I don't know anybody who does that.
It would be great if we were on multiple planets, but I think that's unrealistic. Hawking says we have to be on multiple planets so an asteroid could come and you'd still have some humans left. It's a nice idea. It satisfies the multiple-eggs-in-multiple-baskets concept.
It really showed that you can do a major motion picture, from the folks at Marvel, that has multiple characters on an epic scale. On top of that, it also showed us that one of the most important elements is a certain kind of levity.
Very thorough in the rehearsal process but more in terms of just understanding the characters, understanding where the actors are at with discovering those characters for themselves, and just setting an overall emotional tone for the piece as opposed to necessarily getting things up on their feet or staging scenes.
I know what I bring to the table: my ability to shoot the ball, defend multiple positions, play multiple positions, two through the four.
The fun thing about writing a book with multiple paths and multiple endings is you really get to explore the characters and figure out their different fates.
Joe and I have always been drawn to ensemble storytelling. We like the idea of telling stories from multiple characters' points of view and thinking about the story from multiple characters' points of view.
Men tend to define themselves by what they do, and so if you're dealing with a character who's trying to figure that out, or multiple characters, then there's something there for guys, too.
Multiple characters' opinions on societal roles, as well as their perceptions of themselves and others, help me lose myself in whatever strange and wonderful setting I'm reading about.
My being Indian is possibly the biggest thing that influences my stories. Not just in terms of settings - most of the settings in my stories are Indian - but also in terms of characters and plot. I think growing up in India grew my imagination in certain ways that would not have happened in any other place. I'm also fascinated by the idea of India, and writing stories allows me to explore this. As for thematic elements, they are probably pretty obvious in my stories. I also hope that my stories bust stereotypes at least to a modest extent.
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