A Quote by Rachel Kushner

From 'Midnight Cowboy' to 'Taxi Driver' is a brief era whose grit, beauty, and violence has been quite mythologized. — © Rachel Kushner
From 'Midnight Cowboy' to 'Taxi Driver' is a brief era whose grit, beauty, and violence has been quite mythologized.
If you got into a taxi and the driver started driving backward, would the taxi driver end up owing you money?
If he (The New York Taxi Driver) talked to me, he might lose his concentration, which would be very bad because the taxi has some kind of problem with the steering, probably dead pedestrians lodged in the mechanism, the result being that there is a delay of 8 to 10 seconds between the time the driver turns the wheel and the time the taxi actually changes direction, a handicap that the driver is compensating for by going 175 miles per hour, at which velocity we are able to remain airborne almost to the far rim of some of the smaller potholes.
No, in Lethal Weapon I was a taxi cab driver that Mel jumps in front of the taxi and pulls me out of the car and steals the taxi. Then I did some other indie driving for some of the car sequences.
I saw 'Taxi Driver,' and 'Taxi Driver' kind of saved my life. The scene where Robert De Niro is looking at himself in the mirror saying, 'You talkin' to me? You talkin' to me? Who the hell else are you talkin' to?' That's the scene that changed my life by changing my attitude about acting.
My dad was a taxi driver - he's a long distance lorry driver now - and he has an amazing work ethic.
I think that anybody's craft is fascinating. A taxi driver talking about taxi driving is going to be very, very interesting.
So a man jumps into a taxi and says "King Arthur's close" and the taxi driver says, "don't worry we'll lose him at the next lights".
I can’t believe how much this place has grown,” Hazel muttered. The taxi driver grinned in the rearview mirror. “Been a long time since you visited, miss?” “About seventy years,” Hazel said. The driver slid the glass partition closed and drove on in silence.
Personally, I would really like the entire production staff of Taxi Driver,' and all the characters including prosecutor Kang Ha Na, to come back together and continue the stories of Rainbow Taxi.
I've always been really hot on westerns. All my life growing up, cowboy, cowboy, cowboy.
I'm a product of older filmmakers I guess, the past where you get to make movies and scenes are what they are. You know if you think about Scorsese back in the day when he was making Taxi Driver, or Coppola or Frankenheimer, Sidney Lumet, they're making films where you witness violence in a real way.
When I was really little, I wanted to be a taxi driver or a bus driver; I loved the fact that I could play my own music when I wanted. But I can't imagine actually doing that now; I think I'd get bored.
Some people mistake grit for sheer persistence - charging up the same hill again and again. But that's not quite what I mean by the word 'grit.' You want to minimize friction and find the most effective, most efficient way forward. You might actually have more grit if you treat your energy as a precious commodity.
Was I always going to be here? No I was not. I was going to be homeless at one time, a taxi driver, truck driver, or any kind of job that would get me a crust of bread. You never know what's going to happen.
There haven't been genetic studies on grit, but we often think that challenge is inherited but grit is learned. That's not what science says. Science says grit comes from both nature and nurture.
Mr William, he said, in my life six times have I crashed, and on not one occasion have I ever been killed.( Bevinda Singh taxi driver from City of Djinns
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