Danzon is my favorite Cuban music, played by a traditional string orchestra with flute and piano. It's very formally structured but romantic music, which derives from the French-Haitian contradance.
Fact is that I played piano and performed, as a young kid, a Mozart piano concerto with the Chicago Symphony Orchestra . Don't forget I was only eleven-years-old and to be on the stage at that age had tremendous impact on me. Basically love for classical music and performing as a kid on the big stage probably led toward this decision, which meant that music is going to be my big love but also my profession.
I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classical music, and my instruments were guitar and piano. I played keyboards in bands, and after high school I went to Vienna to study at the Academy of Music. I also became a session player, which culminated in my work with Tangerine Dream.
I played piano and was always in the choir. I tried to play flute because all the pretty girls played flute.
I've always loved French music. My parents adored it; my father played it on the piano.
My training in music has been very eclectic - as first a flute player from classical chamber music to jazz, Greek, Brazilian and African music to contemporary concert music.
The music is one of the beautiful things that has survived the Castro regime. I have played for audiences all over the world but I've never played for a Cuban audience. For [husband] Emilio and me, the music is the one tie to our homeland.
My parents had a love for music. There were so many records, so much music constantly being played. My mother played piano, my father sang, and we were always surrounded in music.
I don't like the piano player music of the movies, the Michael Nyman, and sometimes that piano music makes me puke. It's not really romantic. It's just trying to get your Pavlovian juices flowing because it's a technique now.
I sang 'O Holy Night' with the Vatican orchestra, but also a Blake - a lullaby that William Blake wrote for the Christ child, and I set it to music, and the Vatican orchestra played the music.
I'm not a musician, I can't read music, but I came from a family of music fans. Not mad music fans, but people who like music. Both of my parents can play the piano. They were very good dancers, which I am not.
I was lucky enough to grow up in a house where we listened to all kinds of music. We listened to Haitian, hip hop, soul, classical jazz, gospel and Cuban music, to name a few. When you have access to that as a child, it just opens up your world.
Cachao is obviously Cuban. He's known for traditional Cuban music and that's the music that I'm most passionate about. Cachao is one of the greatest innovators and visionaries. At the base of the tree, the roots, there is Cachao. So I was blessed to have had that time to learn from him and to give him an opportunity and a space where he can create. Everybody always wants to play with Cachao, because he's the guy.
When I composed, I heard my music played by the orchestra within days of completion of the score. No master at a conservatory, no matter how revered, can teach as much by verbal criticism as can a cold and analytical hearing of one's own music being played.
I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
I like music that is really pure and honest. For me, acoustic music, like a piece played on the piano, is very personal.
I've been making electronic music since I was 12. I was making music as soon as I knew how to make sounds on a piano. My parents had a baby grand, and the piano is still my favorite instrument. I look at it as a songwriting machine.