Telluride has an incredible history and reputation, and I've long known of it as a unique entity that makes a place for writers - one more aspect of this exceptional film festival in the Colorado Alps.
I've worked at this film festival in Telluride called the Telluride Film Festival. Been there since 2002. I used to make popcorn. I was an usher. Cleaned toilets, everything. Grew up there as a kid.
Well, we have this place in Telluride, Colorado. It's somewhere I can just get away and relax and think.
Well, we have this place in Telluride, Colorado. Its somewhere I can just get away and relax and think.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
Primarily, a festival is a platform to sell films that are not meant for the mainstream audience. Cultural exchange is also important aspect of a film festival.
I think success is a relative term. If you're a caveman, success is capturing an elephant. Success is achieving better than the norm. Success is being exceptional. It's exceptional reputation, exceptional income, and exceptional respect.
Colorado is an oasis, an otherworldly mountain place. I've played so many shows in Colorado that I think I'm the Colorado house band.
I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival.
I grew up with parents who were English professors at Wichita State University, and we were more liberal-minded as a family than most of the people I hung out with in Wichita. During summers, we went off to Telluride, Colorado, where I've returned every summer since I was born.
The Rotterdam Film Festival really makes you feel like part of a film family.
In the late 1960s, I ended up in Telluride, Colorado. It wasn't like the country club that it is now. It was very raw. Skiing was there, but snowboarders have now entirely overrun it.
Arguably, the Venice Film Festival is the second best film festival in the world, after Cannes.
In the late 1960s, I ended up in Telluride, Colorado. It wasnt like the country club that it is now. It was very raw. Skiing was there, but snowboarders have now entirely overrun it.
I like the Edinburgh Film Festival, and I've liked what I've experienced of Glasgow's Film Festival too.
All of us, writers and non-writers alike, have incredible well-springs of personal experience and history. And we also have imagination - which I think is a kind of human miracle.
I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write.