A Quote by Rachel Kushner
For me, everything about the telling is guided by tone. It's a bit mysterious; it's either there, or it isn't.
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Music is everything to me. It's the heart and soul of a movie or TV show to me because it can be such an injection of tone, and I think tone is everything to a story.
I don't mind when people are telling me about their 1971 Firebird, but it's the same thing as people telling me about their car or something. It's fine if you have an interest. By talking with me, though, you could be interviewing a novelist about guitars. It's the same thing, except I don't write that well either.
Everything I write about either I have gone through or I know somebody has gone through, so it's very close to me, but sometimes it's about taking those feelings and exaggerating on them a little bit: being a bit more dramatic but still keeping them relatable.
Each of us chooses the tone for telling his or her own story. I would like to choose the durable clarity of a platinum print, but nothing in my destiny possesses the luminosity. I live among diffuse shadings, veiled mysteries, uncertainties; the tone of telling my life is closer to that of a portrait in sepia.
Journalists are notoriously easy to kid. All you have to do is speak to a journalist in a very serious tone of voice, and he will be certain that you are either telling the truth or a big, important lie.
The uniqueness about me is I don't do one thing perfectly or great. I do a little bit of everything. That's what makes me so unique. I'm just trying to master a little bit of everything.
So much about Trump is... mysterious and slippery. Everything in his business record, you had to ask him for the details. He made himself the only source. He would either not tell you, or he was often an unreliable narrator about his own life.
It's no use telling us that something was 'mysterious' or 'loathsome' or 'awe-inspiring' or 'voluptuous.' By direct description, by metaphor and simile, by secretly evoking powerful associations, by offering the right stimuli to our nerves (in the right degree and the right order), and by the very beat and vowel-melody and length and brevity of your sentences, you must bring it about that we, we readers, not you, exclaim, 'how mysterious!' or 'loathsome' or whatever it is. Let me taste for myself, and you'll have no need to tell me how I should react.
Mom was bossy. Even in print I could hear her tone, smugly congratulating me on already earning the prince's affections and telling me firmly to keep up whatever I was doing. Yeah, Mom, I'll just keep telling the prince that he has absolutely no shot with me and offend him as often as I can. Great plan.
One of the things I want to do with 'Desi Rascals' is go a bit deeper into the characters and their family lives and have a bit more heart and a bit more inter-generational story-telling, so it's not all about young people.
I love everything about my body. Every bit of it... the cellulite, the stretch marks, everything that I thought at one point was an imperfection, I now realize is everything that makes me unique.
I felt like I was a bit more respected when I started to paint. It was like revealing my diary, but in a different language. It was something that was mysterious about me.
When we try to make everything clear, we make everything confused. If, however, we admit one mysterious thing in the universe, then everything else becomes clear in the light of that. The sun is so bright, so mysterious, that one cannot look at it, and yet in the light of the sun everything else is seen.
As a director, I have to do everything. As an actor, I'm just worried about one role, that's it. As a director, everything is important. Everything is something you have to be very detailed and specific about in telling a story. So for me, the job is far greater than just being the actor, there's a lot more responsibility creatively, technically.
I'm not ugly but I'm not pretty either. Everything is in-between. I have eyes that aren't green or brown, but a muddle. I'm not thin but I'm not fat either. the only thing you could definitely say about me is that: I'm short
It's the same assignment on every part: you want to create a real world, and the tone of it is a little different on each movie. You have to find your tone and work within that to make it as real so the audience can really engage in the story you're telling.
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