A Quote by Rachel Kushner
My dad had a Vincent Black Shadow, which was a quite particular thing: it was the fastest cycle of its era... It sparked a world for me; when I was old enough, I got a motorcycle.
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I think my dad has a similar black sense of humour to mine, so perhaps it's just an inherited thing. I've got two little boys now, and I can see it with them as well. I don't know if you learn it off your parents - but my dad used to take me to see certain plays when I was quite young, so maybe that had an effect as well.
There is a black which is old and a black which is fresh. Lustrous black and dull black, black in sunlight and black in shadow.
This film [ Blue is the Warmest Color] actually is the result of me talking with my producer Vincent [Maraval]. I gave him a bunch of ideas and then Vincent helped guide me and develop this particular film. I enjoy that rapport to have somebody else help guide me in my choices for the next film. The poetic way of looking at it is which project is going to choose me as a director.
When I was old enough to ride a motorcycle and got my license, I bought a '69 Sportster.
We are, in fact, hyper-dimentional objects of some sort which cast a shadow into matter, and the shadow in matter is the body. And at death, what happens basically, is that the shadow withdraws, or the thing which cast the shadow withdraws, and metabolism ceases, and matter which had been organized into a dissipative structure in a very localized area, sustaining itself against entropy by cycling material in and degrading it and expelling it, that whole phenomenon ceases, but the thing which ordered it is not affected by that.
It's nice that psychedelic music is kind of a buzzword. When I started with Vincent Black Shadow, stoner-rock was getting big, but it was more of a riff-oriented thing. Now people are starting to get into the 60's-Pink Floyd-acid-pop viewpoint.
Without black, no color has any depth. But if you mix black with everything, suddenly there's shadow - no, not just shadow, but fullness. You've got to be willing to mix black into your palette if you want to create something that's real.
A lot of people say, 'What set the Attitude Era up?' or, 'What started the Attitude Era?' To me - and I was allegedly the leader of it - sports entertainment, pro wrestling, whatever you want to call it has always had an attitude. So, why that particular generation got labeled, I don't know.
At times I've got a really big ego. But I'll tell you the best thing about me. I'm some guy's dad; I'm some little gal's dad. When I die, if they say I was Annie's husband and Zachary John and Anna Kate's father, boy, that's enough for me to be remembered by. That's more than enough.
I come from an era when we had to figure out how to bolt a camera to a motorcycle or an airplane or dig a hole and find a canyon deep enough to repel into it so that we can capture images that were real.
My parents won’t let me have a motorcycle, but they give me all the guns I want. I asked them for a motorcycle last Christmas and they told me I’d only kill myself. They got me this twelve-gauge instead.
I'm old enough to have friends and contemporaries who have long since retired, and that's their prerogative - enough is enough; it doesn't mean a thing to me. But I haven't got any money, so, you know, I just keep on working.
I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people's eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.
We had to do the same thing here. To top that sequel was quite a task. Mike had a couple of good conceptual humour and character ideas, which got me back into it.
It is important to remember when reading Adam Smith or even when just thinking about Smith that the era that he lived in, we're not talking about poverty in a day when it meant not enough bedrooms for the kids, an old car, a black and white television. We're talking about a whole world where poverty meant not enough to eat.
What's the first thing I remember about the University of New Brunswick? That's easy. The year before I had gone to Mount St. Vincent in Halifax, which was an all girls' school. That didn't really work out for me. But at UNB, there were six or seven men for every woman, which suited me just fine.
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