A Quote by Rachel Kushner

I had a Stuart Davis poster growing up. — © Rachel Kushner
I had a Stuart Davis poster growing up.
We had a poster of the Davis Cup in 1986. It was in Prague, the Czech Republic against Sweden, and we went to watch, so I got the poster. You couldn't get all the posters. You were lucky if you got one.
Stuart Davis has more to do with what the United States is like than Hopper.
I got a poster from Columbia Records, and there's Miles Davis, Charlie Mingus, Ellington, Count Basie - everybody in that poster has died, I'm the only one left. And great players like Paul Desmond and Gerry Mulligan, it's hard to believe they're gone because we were all so close. But I believe in the future and the tradition will go on.
The last time I was in a Marshals' office, they had a poster of 'Justified' up. I asked them, 'Did you know I was coming by, so you put up a poster of the show?' And they said, 'Oh, we all love it... you guys make us look good.' I thought, this is great. If they like it, we really did something here.
I didn't ask anyone to make me a poster boy, because poster boys always end up on dart boards.
I was desperate to work with Stuart Immonen, who I have talked with for several years about doing a project together. So just the stars aligned. I knew that Stuart had a little break in his schedule, where he would be willing to do a project with me. So this year I've been very lucky.
I'm convinced I was the only kid ever who had a Death on the Nile [1978] movie poster and a Murder on the Orient Express [1974] movie poster on his bedroom walls.
I think my best friends are my team-mates in Davis Cup. We have been growing up together since we were 11 or 12.
I've never wanted to be a poster boy, but if I'm going to be a poster boy for anything, it should be this. If you don't give up, and if you carry on believing in yourself when others are doubting you, you can make it.
Chris Paul is one of those guys growing up, I guess I looked up to. Deron Williams was one of those guys, Dwyane Wade, Baron Davis.
I sat down and came up with a caption that I thought would fit well on the poster - something that was short and succinct but got a point across. The latest poster was a direct quote - it was exactly what the woman told me.
I am generally a nostalgic person and super into the pop culture that I grew up on - I've got a framed ALF poster above my bed and a Mickey Mouse poster, and I've got this big VHS collection.
Miles Davis had been in retirement for five or six years and he was coming out of retirement and he was looking for young guys. Somebody gave him my name and he called me and said, "Can you show up at Columbia Studios in two hours?" I'm like, "Whoa, is this the real Miles Davis?" He's like, "Yeah." So I showed up and yeah, it was intimidating, but music is so important to me that the intimidation was all before the notes started.
I was influenced growing up by everything from Harlequin romances to Fedor Dostoyevsky and Albert Camus, James Baldwin, Toni Morrison, and later Lydia Davis, Mary Gaitskill, bell hooks.
Stuart is good for Manchester City. It is not hard to see his passion for the game, and his commitment. (on Stuart Pearce)
As a kid, I had a Beatles poster and a Bela Lugosi as Dracula poster, so both worlds always appealed to me. Horror allows you to do things as a composer than you're able to do in no other style of movie. The music has to be aggressive. You can't tiptoe around. It has to be incredibly focused dramatically - no time for second thoughts.
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