A Quote by Rachel Maddow

The issues which mattered to me as an activist, mainly things like prison reform and AIDS, have less of a chance of getting covered on my show than things I don't have a personal interest in. It's because I don't trust my antenna about being a good storyteller on those subjects, because I know a lot and therefore lose touch with what the average person might find interesting about them.
I know what it's like to lose your home. I know what it's like to be hungry. I know what it's like to lose a family member because of a lack of health care. So all of these things aren't just political issues for me. All of these things are personal to me.
There's things I know I'm good at, and those things interest me less and less. I learn a lot more from doing it wrong than I do from doing it right.
As I've gotten older, I can look at myself more clearly and own the things that I'm good at and work on the things that I'm not. Like, I am not skinny. I know that if I were to lose a little weight I'd literally have more time in the morning because I know clothes would fit better. And now I can look at those things more practically. Instead of being like, "What does that say about me?," now I'm just like, "That would be great to sleep in an extra fifteen minutes because I wasn't trying on everything in my closet."
The positive thing about collaborating is that I cannot get distracted by coding work, because I cannot waste the other collaborator's time in the same way as I can my own. And it's always good to learn how the other person works, learn about techniques, learn social things like: how do you communicate with another person? The music I make with other people I'm much more confident about, I'm a little bit less judgemental of the outcome than with my own stuff because I know it's not only me, it's a more outside of me. Sometimes I even like them better than my own tracks.
Definitely, there is a sense in my writing that people now know me in a personal way. And to an extent, that's true because I write about very personal things, and I use the personal often to contextualize some of these sociopolitical issues that we're dealing with. And to an extent, they're right. They know something about me.
I find myself in this bizarre position in which everything I write and talk about is pretty much about this issue, the environment. It feels a little too comfortable, because at the end of the day I can rationalize that I'm doing my share. I don't know if I actually am, I don't know if I should be more of an activist than I am. But at the end of the day, everybody needs to do those things that they're most likely to continue doing, and that aren't going to burn them out.
It's sad. There's a lot about this industry that a lot of people don't know about and don't find out about. There are a lot of tough things and trials and stuff that you're faced with. Sometimes, God has other plans for people. Sometimes bands can't stick through it. It depends on the situation. Keep praying for the bands that you like, seriously, because a lot of things will try to get in the way of being together. We've been blessed with not deal with those yet, but if we ever did...?
People are interested in things not necessarily covered by the mainstream media, so they download things online. The categories are growing because people find out that they're not able to get information about stories that are of interest to them on the evening news.
The truth that people are missing about certain things, you know when they get fearful and they get hateful, and they repress other peoples, is the greatest truth of all, you know, the truth of love and understanding and clarity about all those issues. And it's like, one day, one day, everybody's gonna know, myself included, over certain things. But, so it's like, it's alright, you know, you hate me now, but that's cool, because I see a better day and I know that there's a higher truth, and you're wrong about hating me because I'm gay.
I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.
This one's like that because it's about these things that I think weigh heavily on me in terms of my own failings and the things that I worry about and my personal demons. Is the sum of my personal demons greater than the things that I like about myself? Is this moment - because it's a particulary high tension, scary moment for all of us in terms of the global climate - going to bring out the best or the worst in us?
I feel like I'm being put inside a box, and I'm not necessarily getting a chance. Like I'm not getting the shot that I deserve. So that's what Rare is about 'cause I feel because I am the way that I am, and I don't necessarily fit the mold of a lot of different artists that's out, it's like I'm not getting the chance to show what I can do. So, that's basically all the frustration of that, and everything is pretty much Rare for me anyway.
I've always believed certain things: You treat everybody nicely because, more than anything, it's the right thing to do. And then you also never know when someone will be in position to help you or hurt you. I know I've gotten help from a lot of people who said good things about me because I treated them well.
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
Nothing mattered much. Nothing much mattered. And the less it mattered the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from poised forever between the terror of war and the horror of peace Worse Things kept happening
There is, on the whole, nothing on earth intended for innocent people so horrible as a school. To begin with, it is a prison. But in some respects more cruel than a prison. In a prison, for instance, you are not forced to read books written by the warders and the governor. . . .In the prison you are not forced to sit listening to turnkeys discoursing without charm or interest on subjects that they don't understand and don't care about, and therefore incapable of making you understand or care about. In a prison they may torture your body; but they do not torture your brains.
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