A Quote by Rachel McAdams
I was just finishing up 'Spotlight' in Toronto - I finished it on a Tuesday and started 'True Detective' on a Friday. So I was missing rehearsals, unfortunately, which I hate and why I never like to work back-to-back.
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While contemplating the bride, and eyeing the cake of soap, he muttered between his teeth: 'Tuesday. It was not Tuesday. Was it Tuesday? Perhaps it was Tuesday. Yes, it was Tuesday.' No one has ever discovered to what this monologue referred. Yes, perchance, this monologue had some connection with the last occasion on which he had dined, three days before, for it was now Friday.
I remember when we were in rehearsals and we were going through it because we rehearsed before we went to Toronto, and it's more of the same. She and I had to deal with a lot of stuff in this movie and we really have to take ourselves there. It actually started in rehearsals, and just revisiting that piece of it all. Just the way Monica is and what she says and the way she looks at me, it really affects me throughout rehearsals and throughout the scenes.
I actually went back and watched all of 'True Detective''s Season One again, which I think is a true masterpiece.
Yeah, I started on YouTube. I posted videos every Friday and wrote new songs every week. Back then, I was in a very vulnerable place with all my fans. Now in a pandemic, it feels like I'm going back to my roots and playing on my OG piano that I played when I first started.
When I decided to write about my brother and friends, I was attempting to answer the question why. Why did they all die like that? Why so many of them? Why so close together? Why were they all so young? Why, especially, in the kinds of places where we are from? Why would they all die back to back to back to back? I feel like I was writing my way towards an answer in the memoir.
I've heard plenty of Christians try to answer the why question by going back to the what. "You have to believe because Jesus is the Son of God." But that's answering the why with more what. Increasingly we live in a time in which you can't avoid the why question. Just giving the what (for example, a vivid gospel presentation) worked in the days when the cultural institutions created an environment in which Christianity just felt true or at least honorable. But in a post-Christendom society, in the marketplace of ideas, you have to explain why this is true, or people will just dismiss it.
I'm facing upstage, with my back to the audience, and the spotlight comes up on my back as I start singing.
I would go back in time and do differently it is that. I would go back and ask, 'Why?' But I never did. I got up, he got up, we went on about our day. We never discussed the situation [with Dre]. Just, never.
I suffered a lot of setbacks when I started; I didn't have any work experience and no real confidence to go after the career that I knew in the back of my mind I really wanted. It affected my confidence as knock-back after knock-back left me feeling like I might never succeed.
I literally finished 7th Heaven, went up to Toronto, and started SAW. So, it was definitely a little mind change.
I didn't expect a knife, though. Is it the one missing from the kitchen?" "Did Rand report it?" I felt betrayed. Why hadn't he just asked for it back? "No. It just makes sense to keep track of large kitchen knives, so when one goes missing you're not surprised when someone attacks you with it.
On any Tuesday morning, if asked, a good working scientist will tell you with some self-satisfaction that the affairs of his field are nicely in order, that things are finally looking clear and making sense, and all is well. But come back again on another Tuesday, and the roof may have just fallen in on his life's work.
I gave my life to Christ, and I thought that would be it for me, and He was, like, 'No, you're not finished with acting; acting is not finished with you. This is your talent. Go back into it, but you're going back into it with a heart that's not obsessive over it.'
Finishing a song is definitely the hardest part. It's, you know, you can polish it forever and then whittle it down into something it wasn't and be like, "I need to build it back up," which is why some tracks have 400 versions. But I guess you know when it's done when...I have a maximalist approach to sound when I can't find any more space to put new sounds.
I remember during the Gulf War, my father's ship had just finished a deployment in in the Gulf and was on its way back when the war started in Kuwait. They turned around and went back to the Gulf.
I don't like to work for politicians because I hate to work on anything that you can't give back if it doesn't work. I sell products. I do a commercial for, say, Meow Mix, and you don't like it, you get your money back. You can return it. Politicians, you can't return. You're with them for four more years. And that's scary.
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