A Quote by Rachel Morrison
Life is unpredictable, and I feel, to some extent, lighting and cinematography should be a reflection of that.
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Usually, if you notice good cinematography, then the cinematographer's failing. I try to make light feel like it's always motivated and natural in some way and hope that the lighting goes unnoticed.
Ashok Mehta was the man who brought contrast and lighting back to mainstream Hindi film cinematography.
We all trust each other to some extent. We have to rely on experts to some extent, but we should learn to be sceptical.
I'm obsessed with lighting. I'm constantly shopping for different lightbulbs. I love rainbow lightbulbs. And also, one should not live without dimmers. Life is all about lighting.
In cinema we have all kinds of ways of communicating: cinematography, lighting, character performance. If you pay attention to silent era movie actors, they are big about postures and really exaggerated expressions so you can understand how they feel. We use all kinds of techniques from cinema to help communicate emotion.
This is my life now. Absurd, but unpredictable. Not absurd because unpredictable but unpredictable because absurd. If I have lost the meaning of my life, I might still find small treasured things among the spilled and pilfered trash.
My lighting tends to use contrast as a reflection of the stakes in the scene. The higher the stakes, the more I feel I can get away with an exaggerated contrast.
I believe that this world was set about for us to enjoy and to love and to experience and to have it all be, to a certain extent, unpredictable. Ever since I was a child I have believed that my life has been guided.
I think lighting is a reflection of what is at stake emotionally in a movie.
The fact that some things are mysterious or that they touch on mystery isn't in some way a capitulation, and one should realize that there are some things that we may never understand and, to that extent, should be humbled by that.
I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
To me if there's an achievement to lighting and photography in a film it's because nothing stands out, it all works as a piece. And you feel that these actors are in this situation and the audience is not thrown by a pretty picture or by bad lighting.
Once we have a sense of how long a decision should take, we generally should delay the moment of decision until the last possible instant. If we have an hour, we should wait 59 minutes before responding. If we have a year, we should wait 364 days. Even if we have just half a second, we should wait as long as we possibly can ... Life might be a race against time but it is enriched when we rise above our instincts and stop the clock to process and understand what we are doing and why. A wise decision requires reflection, and reflection requires a pause.
When you hit 30, it's that time of self-reflection. Some people are a success. Some people feel like they haven't achieved what they wanted to. Some people are married, some have kids, some are still single.
All parenting turns on a crucial question: to what extent parents should accept their children for who they are, and to what extent they should help them become their best selves.
We've tried to use some visual motifs [in Beauty and the Beast]. As far as the cinematography and the lensing and all that, we are presenting a different view into that world. It's a little sleeker, but we're keeping the gothic feel underneath it.
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