A Quote by Rachel Nichols
When you get to the point where you're established enough that people link you with something, especially being an action hero babe, it's awesome. Because then you can fight the battles and have the crossbows and wrestle with swords and ride the horses because you're already believable; people see you in that genre.
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One can never really give a proof of the reality of anything; reality is not something open to proof, it is something established. It is established just because proof is not enough. It is this characteristic of language, at once indispensable and inadequate, which shows the reality of the external world. Most people hardly ever realize this, because it is rare that the very same man thinks and puts his thought into action.
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
I get to go back and ride my horses with all the people that I grew up with because that's really fun for me.
A good novel is something that challenges perception, that allows you to see the world anew through a different point of view - something that genre fiction doesn't do, although it sells more because it doesn't disturb people's innate sense of what a novel should be about. Often, people want characters to be nice, for example.
I love action movies, and I love comedy, and I love writing comedy, but the genre of action-comedy - or, at least, as it currently usually is - is just not something that I feel that compelled by, generally, because I find the action to be silly, or it's too slapstick, or the stakes feel low because people are joking in the middle of it.
With action in Hollywood, a choreographer will be hired to design an amazing fight, with all these cool little narrative bits, such as a fighter having to perform a certain move because he's been injured and can only move that way, but it can all get lost in translation because the director then does what he wants with it and then passes it on to the editor, who does his interpretation of the fight. It becomes almost like Chinese whispers, so sometimes the end fight you see on film is so different to how it was conceived and looked on the day.
A hero called Adin rose from the ranks of the people. He was an ordinary man, a blacksmith who made swords and armor and shoes for horses. But he had been blessed with strsngth, courage, and cleverness.
I try to find some time for my horses. I began when I was a child, because I was born and grew up in a little village. And many people ride the horses. So, it was a big - it has been a big passion for me.
If you are on television, that one night that someone is able to see you, you're talking about millions of people in one day. That's pretty awesome because then it helps you to jumpstart your career, and if you're the one to go out there and perform, people are going to come see you because those millions saw you on the television.
I don't want to play myself up as a hero, because it would make me unbelievable. I'd rather settle for people thinking that I'm a bum, but digging my stories, than liking me and not being able to believe in my stories. That's one reason I've been hard on myself, because I want my stuff to be believable.
And other people get the opportunity to leave prison, and then they do something to get put back in there because they can't actually function in society. It's really cool because you get to see all these different women, their backstories, where they come from, their upbringing and why they get to where they get to, and they're all completely different. It's really cool that you get to see all those storylines.
I think that it's really incredible, growing up and being able to have all these people who really look up to the work that I do. It's really cool that I have such awesome fans, and I can't thank them enough. I get on my Twitter and Facebook every day, and I see such awesome things.
I've often told people who ask if there is a God: Get around enough people with horses and see what happens. See how they survive in spite of all the things they do, and you'll become a believer!
It's cool because you get to see that some of these women are there because they should be. They're actually not good people to be in society. And then, other people are there because they just made a really retarded mistake.
I always say that when I see that needle start to go in the other direction, when people have had enough of me, I'm going to be smart enough to say goodbye. It's such a joyous ride to be on top, and it takes away from that ride if you sort of ride it down.
Both labels are super awesome, with super awesome people who want to get stuff done. The biggest difference is that Sub Pop is already established, but working with Burger seems like we're part of something. They're growing, and I'm growing with them. They're my friends, and we're doing it together.
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