A Quote by Rachel Nichols

I can never find a movie I want to watch, even though I've got hundreds to choose from. — © Rachel Nichols
I can never find a movie I want to watch, even though I've got hundreds to choose from.
A friend forced me to watch 'The Lord of the Rings,' and even though it was a fantastic movie, I could only watch one.
This is real human drama, we're not creating some amusement park ride for the summer. Even though the movie is really exciting to watch, it's got a real pathos behind it.
I'm up and down and round about, Yet all the world can't find me out; Though hundreds have employed their leisure, They never yet could find my measure.
I still find doing portraits a terrific challenge, but even though I've done hundreds of them, I've never stopped questioning the very nature of portraiture because it deals exclusively with appearances. I've never believed people are what they look like and think it's impossible to really know what people are.
All movies are inherently collaborative, and animation even more so. There are hundreds and hundreds of people involved with an animated movie.
I never choose my opponents, but I think the biggest fight that everybody wants to watch, the fans want to watch, is me and Ronda.
Sunday is like this entertainment scrum for me, because I've only got a day, one day of fun. So I want to have brunch, and I want to see a movie, and I want to watch 'Game of Thrones,' and I'm trying to watch 'The Sopranos' from the beginning, and I want to play four hours of video games. So, it's, like, as regimented as my work life.
I still think about the letter you asked me to write. It nags at me, even though you're gone and there's no one to give it to anymore. Sometimes I work on it in my head, trying to map out the story you asked me to tell, about everything that happened this past fall and winter. It's all still there, like a movie I can watch when I want to. Which is never.
Robert De Niro, even though I've been in two other movies with him, I never really got to know him at all. But on this movie ["The Big Wedding"] I did.
When I watch a movie myself, I want to forget that I'm watching a movie, and I want to be inside the movie. That's the kind of experience I want my audience to have.
I wrote my first screenplay on a lark, because it was a storytelling format that felt like a familiar shorthand - we all watch movies, don't we? But even though I grew up in Los Angeles, my family was entirely unconnected with the movie industry, and I never truly believed that it would one day be my fate.
If you are dating someone in New York City, and they invite you over to watch a movie, they don't really want to watch a movie.
I choose parts because I don't want to be embarrassed when the movie comes out. What if my friends were to see the movie? What if my niece or nephew wandered into the theater and saw the movie? I don't want to be too ashamed of it.
Ethan [Hawke] just - they got along great. He got to act with a dog, for real, and it felt like Jumpy was acting with him. It was a surreal thing to watch. When you watch the movie [Valley of Violence], you just kind of accept it. But if you do think about how we show - there's a dog and a movie star interacting - and you buy it. That's crazy.
I never get discouraged about anything. If I got discouraged I wouldn't keep giving out the script then the movie wouldn't be made. The biggest thing about movie industry is to never get discouraged because once you get discouraged you lose interest. You'll stop being successful in something you love doing. If you get discouraged in things and not even want to finish or do them, then why even bother starting?
If I had to choose, I would never take my shirt off again in a movie, but I guess that's not very realistic. I certainly won't be asking to do it, though.
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