A Quote by Rachel Parris
The first time I saw Tim Minchin live, it was his 2008 show 'Ready for This?' in a very big room at the Pleasance during the Edinburgh fringe.
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Eleven years ago, my wife and I had had a baby, so I didn't go to Edinburgh Fringe for the first time in years. Tim Key won the comedy award and I was sat at home with the baby feeling very jealous, genuinely.
I love Tim Minchin, Bill Bailey, and Hans Teeuwen, and I'm trying to synthesise elements of theatre into my show a little bit more.
I was an adult and I was in the Edinburgh Fringe Festival. I was performing in this cave - they used to bury the plague victims in these caves underneath the streets of Edinburgh, when I got this weird cold sensation up my spine, it gave me this really weird feeling, and then I looked up and there was this white, sudden white shape, that just zapped from me and went straight to the light that was at the back of the room, and I just stopped cold and said to the audience, "Did you guys see that?" No one saw it.
I do get recognized, but I must say Edinburgh is a fantastic city to live if you're well-known. There is an innate respect for privacy in Edinburgh people, and I also think they're used to seeing me walking around, so I don't think I'm a very big deal.
I was doing a wee gig at the Edinburgh Fringe, and while I was walking down to the show from the train station, someone stopped and asked if they could get a picture with me. This was about six months before I released my first single as well, so my response was, 'Are you sure?'
The first exhibition that I used bright colours in painting the room was at a gallery in Paris, and there were seven rooms in the gallery. It was very nice gallery, not very big rooms, around the courtyard, it was a very French space. So I painted each room in different colour. When people came to the exhibition, I saw they came with a smile. Everybody smiles - this is something I never saw in my work before.
I didn't have the money to put myself through drama school, so I thought - naively - that if I wrote a play and put it on at the Edinburgh Fringe Festival, agents would see me and that would be my ticket to Hollywood. I wrote a musical; an acting coach saw it and put me on his course for free while I wrote for his company.
The radical is simply being given more room in the mainstream. And I think young people - I'm talking about the very young millennials - they are bored by so much so fast and have such fast big brains, that they won't digest lazy uninteresting work in the way my generation might have. This is a great opportunity for those on the fringe to be less on the fringe perhaps.
Much like Tim Minchin, I'd love to write and appear in a West End Musical. That's the dream.
Tim Minchin and Daniel Kitson are the two people that when I see them, I think I could never be that funny or that clever.
They don't show Olympic boxing on TV in prime time. They haven't done that since 1988. In 1992, they showed one: Oscar De La Hoya. In 1996, they didn't show it. In 2000, they didn't show it. In 2004, they didn't show it. In 2008, they did not even mention boxing at all. You would think the United States didn't have a boxing team in 2008.
I've spent some time in Edinburgh before. I used to go up there to busk and actually went to the Fringe a few times as a teenager with my cello.
Big Fish was the first movie that we worked on together, and I had already written it. We had another director, but that director didn't do it. So, it was just a Hail Mary to Tim, and Tim said that he wanted to do it and I was like, "That's fantastic!" But, there wasn't a lot of collaboration because he knew what he wanted to do and just did it. There were very minor changes for Big Fish.
My first big show was with Tim McGraw and Mark Chesnutt, and that was overwhelming. There was probably 25,000 people there. I was nervous, (but it) was exhilarating.
Christopher Robin was sitting outside his door, putting on his Big Boots. As soon as he saw the Big Boots, Pooh knew that an Adventure was going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look ready for Anything.
Tim Bee has demonstrated his toughness and his compassion, his ability to lead while at the same time listening to others. These are skills few people in public life have. We need Tim Bee working for us in Congress.
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