A Quote by Rachel Parris

I don't really get heckled! I think it's because I might burst into song at any moment and even rude people have a weird respect for not interrupting singing! — © Rachel Parris
I don't really get heckled! I think it's because I might burst into song at any moment and even rude people have a weird respect for not interrupting singing!
Acting is a difficult profession, it really is. It's different than singing. With singing you may have one song and four people to record it - but they'll all do it differently and they'll all have that option. Whereas with actors there might be one part, and five hundred actors all want the same role - it's so much more competitive. It's an incredibly painful profession because you get so much rejection.
A recording of a moment in time, where I was physically there, and it's now in a song for all eternity, in a way. It's really weird. I had written the song, but I'm also physically there in a way I'm physically inside the song, because I've recorded something that's in there.
You know the one with the big ears? Wait a minute, he ain't my president, he might be yours, he ain't my president. You know that woman he had singing for him, singing my song - she's gonna get her a- whipped. The great Beyoncé But I can't stand Beyoncé. She has no business up there, singing up there on a big ol' president day singing my song that I've been singing forever.
People think I can burst into song any time of the day, it's crazy.
It's so different going in the studio and singing your own music and you don't really think about making sure that the message of the song or the idea behind the song comes across to people. Because it's in your head, it's in your heart, whatever, but it's... different when you're playing a character and you're singing as the character. There's just a lot more involved in that, I guess.
I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
I think sometime during the peak of 'Whiskey Glasses' is when I realized: 'Man, this is really starting to happen. People are not not just singing these singles, they're singing every song on my album and really invested in what I'm doing.'
And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the City.
You are always living a reflection of whatever you are outputting. And so, if you get into a little pocket where a lot of people are being rude, it's probably because you are being rude — or because you have been aware of people being rude. Nothing ever happens to you that is not part of your vibration!
[A]s soon as you try and take a song from your mind into piano and voice and into the real world, something gets lost and it's like a moment where, in that moment you forget how it was and it's this new way. And then when you make a record, even those ideas that you had, then those get all turned and changed. So in the end, I think, it just becomes it's own thing and really I think a song could be recorded a million different ways and so what my records are, it just happened like that, but it's not like, this is how I planned it from the very beginning because I have no idea, I can't remember.
I got tired of doing battle with people thinking I was a little weird because I wasn't in a band making happy, stilted music. The only people who really seem weird to me are people who think they're normal. People who think it's possible to be normal just by doing the same things that most people do. Is there a most people? I don't know. Television makes it seem like there is, but I think that might just be television.
Even before I got the record deal, I never really used singing to get girls. I always felt weird about that.
The moment any film has song and dance sequences - where any time any character can start singing and dancing without any explanation - it can turn into a senseless film.
Everyone wants the same thing in this band, so we definitely respect each other. I mean, all of us have had hit songs, so it's a band full of people who really know what they're talking about, so you have to respect that even when you think something you have might be great, and they go, 'Man, it's not as great as you think it is.'
I don't think you're ever there. You never arrive, but if you do, you might as well quit because you're already there. Can't get any better. And as players, if you ever have that moment - you should never have that moment. You're always trying to get better.
I feel like it's probably very out of character for Anthony to break into song. I feel like he might play the flute or something, like a really weird European cinema moment where it gets really odd and he serenades his love in music. You never know with Bridgerton.'
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