A Quote by Rachel Platten
When I got on stage, I felt this bolt of electricity hit me, and it was this shock of, 'This is exactly what I'm supposed to do with my life.'
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I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
On stage you're supposed to have fun and play different licks and stretch out. You're not supposed to copy your records exactly.
I'm learning how to work my voice. I got some songs that you probably wouldn't even know it's me singing on there. I will sit there and take 20 takes until I hit that note right. It's different on stage - you've got to hit the notes that one time.
I did some films in college, and I remember working with this director that wanted to shock me so that I'd give him an expression of shock, so he poured scalding hot water on my arm during the take. He splashed it on me. He got his expression of shock, but I also got, like, second-degree burns!
I never felt comfortable in real life very well. It's always been an awkward kind of thing for me and so when I hit the stage I just sensed freedom. I sensed here's a place that I can have all the experiences of life and not feel uncomfortable about it.
I never felt comfortable in real life very well. It's always been an awkward kind of thing for me and so when I hit the stage I just sensed freedom. I sensed, 'Here's a place that I can have all the experiences of life and not feel uncomfortable about it.'
If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do; try to be shocking and dirty. They aren't really. It isn't enough to shock. It's easy to shock. Real surprise is what I'm after. Those early movies, we had drugs, which you weren't supposed to show. You weren't supposed to shoot up. We would make fun of hippies. I think that we were punk before there was punk.
There was a while when I got really bad stage fright and I basically felt...I was incredibly angry. I felt like everything had been taken away from me and it was at that point that I realized how much doing stand up reminds me of my self love and curiosity about myself and love of other people because I don't go on stage to dominate.
There are moments in my life when I feel like I’m exactly where I’m supposed to be, doing exactly what I’m supposed to do. I pay attention to them. They’re my cosmic landmarks, letting me know I’m on the right path. Now that I’m older and can look back and see where I missed a turn here and there, and know the price I paid for those oversights, I try to look sharper at the present.
I was raised as a Catholic, but I got up to go to church because I thought I'd be hit by a bolt of lightning if I didn't.
We are like a wishing well And a bolt of electricity
Both the 'Gregor' series and 'The Hunger Games' are what I call lightning-bolt ideas. There was a moment where the idea came to me. With 'The Hunger Games,' the lightning bolt sort of hit at a moment when I was channel surfing between reality TV and the coverage of the Iraq war.
The essential thing is to spring forth, to express the bolt of lightning one senses upon contact with a thing. The function of the artist is not to translate an observation but to express the shock of the object on his nature; the shock, with the original reaction.
Getting hit is part of the job. You don't want the first time you're getting punched to be in the fight because there's a lot of shock and awe and you won't react well. I like to get hit in sparring. I don't want to get concussed, or I don't want to be getting knocked out, but I want some shock treatment to prepare me for the fight.
And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.
Culture shock is often felt sharply at the borders between countries, but sometimes it doesn't hit fully until you've been in a place for a long time.
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