A Quote by Rachel Riley

In school productions, I was always villager No. 7. I was never at the front of the stage dancing and never had any lines. — © Rachel Riley
In school productions, I was always villager No. 7. I was never at the front of the stage dancing and never had any lines.
I never went to stage school or anything like that. It was always plays, productions at school and things like that. The thing for me with acting was it was the only thing I could fully concentrate on. I loved playing sports. I didn't really love studying.
I was never any good in the school theatrical productions. I always got a role like the March Hare.
I never had any classes or went to theatre school like a lot of actors, so all of my training has been on stage with different directors. That was a pretty good school room.
'Hunger Games' was an awesome job. I never had to learn any lines. I never had to do any ADR.
Oh, I am not naturally gifted in dancing in any way! Stupidly, I didn't go to those classes in drama school. I was like, 'I don't need that; I'll never be dancing in anything.'
Ballet found me. I was discovered by a teacher in middle school. I always danced, my whole life. I never had any training, never was exposed to seeing dance, but I always had something inside of me.
I was never any good in the school theatrical productions. I always got a role like the March Hare. A Latin teacher told me I might make a good actress, and that stuck in my memory.
My grandmother had a Miss Margaret's School of Dance to teach tap and ballet to kids, but I never studied it. I was raised a Mormon and they're dancing fools. It's the only vice they have - dancing.
My school reports always used to point out that my concentration levels were appalling. I never listened in class because I was always daydreaming about racing. I never thought for a moment about doing anything else. There was no guarantee that I'd make a career in it but I never had any plan B.
I was always the smallest role in community theater and school plays. I always had two lines - I was the kid that came on stage and said one thing and then left, and that was my part for the play.
When I did plays in high school and college, I never remember memorizing my lines, but once I had blocking, I had all my lines memorized. Once I had movement associated with words, it was fine. Before I had blocking, it was just text on a page. Once it became embodied, it was much easier.
I think all girls secretly want to be actresses because acting seems so glamorous. But as a child, I was always the villager who had one line in the school play. I was shy and I had a bit of a lisp.
Ballet found me, I guess you could say. I was discovered by a teacher in middle school. I always danced my whole life. I never had any training, never was exposed to seeing dance, but I always had something inside of me. I would love to choreograph and dance around.
That's one thing: When I left Notre Dame, when I left every school, what I'm the proudest of is we never compromised the rules, never were on probation, never had any major problems of any kind.
I was at college studying psychology, philosophy, textiles and drama. But because I wasn't one of those all-singing, all-dancing stage-school kids, I just assumed I'd never become an actor.
I can never stand in one place on stage for more than a minute and am always singing, dancing and jumping.
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