A Quote by Rachel Sklar

I downloaded a Ricky Gervais podcast once at the persistent urging of a friend and found it funny but distracting - if I'm online, I'm surfing, which means I'm distracted from the podcast. So it's a form that doesn't really work for me.
It's funny - the reason I started doing a podcast was because every time I was on someone else's podcast, I would take it over a little bit.
I started a podcast about 'X-Files' and ended up on it. Then I started a podcast about video games, and I'm in the new 'Mass Effect' game. I have to pick the stuff I love and do a podcast on it.
The podcast was kind of an afterthought, because I was just excited about being on the radio. Then I found that the podcast listenership is some 20 times what people are listening to on the radio.
For me personally, I was just worried that transitioning from a podcast, which is a very intimate sort of experience - people tell me they listen to my podcast while they're at the gym or on road trips, so you're in someone's ear - to being on television - that's a lot of space to fill.
For podcasters, people are just being themselves in a public fashion. So when someone is attacking a podcast, they're really attacking the person, because the person is the podcast. So I think that's why podcasters take it to heart. It's a very personal form of media, probably the most personal form of media.
It's not terrible, I guess, but if Ricky Gervais was half as talented as me, maybe the show would actually be funny once in a while.
When they asked me, 'Do you want to work on Ricky Gervais' new series?' did I say, 'Hang on, I'll have a think about that. I'm very busy at the moment. I've got to do a gig above a pub for 10 quid tonight?' Of course I didn't! I said, 'Yes, please! It's the new Ricky Gervais show, for God's sake!'
The big problem in translating is that we had to translate the language. People may not know that we record the podcast in Japanese, translate it to English and then actors play us on the podcast. I'm not actually Scott Aukerman, I'm the actor who plays his voice on the podcast. Unfortunately, it's cost prohibitive on a television show.
I pushed against doing a podcast for so long. I'm a very late comer to the podcast game. But you're responsibility as a comedian is to get your viewpoints out into the world, and we have a lot more avenues to do that. So it's a lot more opportunity, but really have to work all the time.
Podcasting is not really that different from streaming music, which we've done for quite a long time. Having a traditional podcast that people subscribe to - the hype is ahead of the quality. Podcasting is essentially a download, and you run into copyright issues. What you're left with currently is podcast talk radio.
In doing my podcast, I do find that I tend to try out bits that I then try on stage later that day. If they work, great, and if they don't, I regret having talked about it on the podcast.
People say sometimes that I'm distracted. I'm not distracted. I'm being smart. I'm capitalizing while the iron is hot. That's why I'm trying to do movies. I do the podcast. I do a radio show. I work on FOX. I have a gym; I have a lot of things going on. That's because when I'm done, I want to be set up.
I'm a big podcast guy, I have my own podcast called 'Wide Open.'
Knowing that Ricky Gervais will never work again means a lot to me. I'm going to make sure of it.
My mates Dominic Boyer and Cymene Howe have put together thirty one episodes of a really really nice podcast at Rice as part of the Center for Energy and Environmental Research in the Humanities and Social Sciences. The 'Cultures of Energy Podcast' is so good!
'The Canon' is a film podcast that also has much in common with books podcast 'Backlisted.' Both suggest you can get a lot of pleasure out of things that aren't new.
This site uses cookies to ensure you get the best experience. More info...
Got it!