A Quote by Rachel Sklar

The comedian can put the punchline out there, but it's the audience that receives it - and has to get it. — © Rachel Sklar
The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
An aspiring comedian must be determined to get to his or her true feelings on a subject and convey that to the audience. Figure out what you're feeling or interested in because the goal is to get the audience interested in what you're interested in. Good stand up comedy is drawing people into your head.
I think my speeches are hilarious. I think I'm a natural comedian, but I like denying people the chance to laugh. I want to deny you the relief of the punchline.
With a comedian, it's the opposite. You put that album out, and they've heard it. If they're coming out to see you, you'd better be doing new stuff. There's always a tiny part of the audience that want to hear certain bits of yours, or they've brought friends to see you, and they've told them about some of your bits. Then maybe you should do them.
Donald Trump was seen for quite a long time as a punchline, the jokes about the excesses and the failures of the 1980s. And he had become, you know, a human shingle and a punchline.
I think there is a weird loneliness that comes with being a comedian. There is something definitely inside the personality of a person who wants to be a comedian, and (he or she) is looking to connect (to the audience) at all times.
Today's comedian has a cross to bear that he built himself. A comedian of the older generation did an act and he told the audience, This is my act. Today's comic is not doing an act. The audience assumes he's telling the truth. What is truth today may be a damn lie next week.
It may sound surprising, but a joke and a crime novel work in very much the same way. The comedian/writer leads their audience along the garden path. The audience know what's coming, or at least they think they do until they get hit from a direction they were not expecting.
That's one thing about my shows. I tell people, I'm not a comedian, I'm just a really funny reporter. I put my life out there and make it entertaining. By putting it out there, it helps me to deal with it, you know, so I don't snap and so I don't go off the handle when I get home.
What social media has done - Facebook, Twitter - is show the audience. I don't have an audience. When I make my work, it just goes out into the ether. I have a thick skin and it just brings me down to earth, you know, to realize how out-there and far away and paltry the audience is that gets what I'm saying. It's depressing if I let it get to me. And it's the same with hanging a show, the way it's put up, like, three stories high and you can't read a single word.
I think it's great training for any comedian to start on cows. Because with cows, you expect them to be bored and just stare at you blankly. And that's exactly what you'll get at a comedy club. If you can toughen up with a cow audience, then you'll never be worried with a human audience.
My audience has accepted me for a long time as, you know, not a fat comedian but a comedian who happens to be fat. That's a huge difference.
I've told Michael Jackson jokes. If you got really technical, you could say those are jokes about child molestation. You could, if you got technical. A lot of this is just selective outrage because honestly, the audience are the ones that tell us that something shouldn't be spoken. The audience lets us know. And I've never, in my almost 30 years of being a comedian, seen a comedian continue to tell a joke that the audience doesn't respond to. I've never seen it.
Every comedian feels out an audience. As you're telling jokes, if they're not laughing at this, you change the subject.
Luckily, I'm not a stand-up comedian, so I don't get the fear of standing on stage in front of a dead audience: my humorous pieces have to make it past an editor before they get exposed to the public.
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
Black comics, they only watch Black comedians. You're a comedian; you're not just a Black comedian. You're a comedian. I try to get that through to everybody.
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