A Quote by Rachel Sklar

I read 'The Shining' before I ever saw the movie, when I was maybe 12. — © Rachel Sklar
I read 'The Shining' before I ever saw the movie, when I was maybe 12.
Still a dreamer, yet more of a realist than ever before, I knew this was my time to sail. On the horizon I saw the shining future, as before. The difference now was that I felt the wind at my back. I was ready.
Stanley Kubrick made Shelly Duvall go crazy during 'The Shining.' It's like one of the best performances ever. Maybe he shouldn't have gone that far, but I love that movie.
I saw 'Boogie Nights' more times before the movie came out than any other movie I had ever seen.
When I was about 10, I saw Timothy Bottoms in a tele-movie called 'A Shining Season,' and it really moved me. I was maybe 8 or 9. Timothy played a runner who had cancer, and he defied the odds by coaching a girls' team to victory.
Growing up in the 80's, I think a lot of us saw things that were "new," an experience we don't get too much of these days. We saw things that were never done before. When Star Wars first came out, no movie before that had ever looked that way.
When we first sat down and talked about how much of the show we were going to do based on the movie, there are certainly things you can see right away, but we wanted to make sure that the audience who maybe never saw the movie or has maybe never seen any of the Marvel characters before - and I know there's three of them left on the planet - could have someone that could be their eyes and take them in.
The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.
I read the 'Twilight' books before the movie and the whole craze happened. And then I loved it. I was in love with Edward before every other girl that says she's in love with him was. Because I read them a long time ago shooting a movie in Salt Lake City, and one of Stephenie Meyer's friends said, 'Make sure you read my friend's book.'
The hardest I've ever laughed in a cinema was at 'Silent Movie' by Mel Brooks. I was 12-ish and I actually fell out of my seat. I saw it 10 years later hoping for the same hilarity but it didn't happen. I'm not sure if that's because of me or the film.
First, when I was 12, I saw a Spanish girl jumping rope. I never saw her face, but it was still the most beautiful sight I'd ever seen.
I saw 'The Shining' in eighth grade. I watched it on VHS at a sleepover and was petrified, totally petrified. And I didn't really start to digest the movie properly and understand it from a filmmaking perspective until I got older. But it pretty much defined what it meant to be scared of a movie for me.
I think it took me seven years before I got the script for 'Frozen River.' That's the movie I had been looking for my whole career. When I read that, I knew I had to shoot that movie - that it'd be a game-changer. It was one of those scripts where I read it, and I was like, 'This movie could get into Sundance.'
I think I'd have to say that 'The Shining' is my scariest movie ever.
'Skeleton Creek' is like nothing you've ever read before because it's a book and a movie at the same time.
Star Wars - the movie I saw 12 times as a 17-year-old. The movie that began a cultural and creative universe that now spans generations. For me to be a part of this in The Clone Wars is a dream come true.
Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
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