A Quote by Rachel Vincent

You thought you could figure that out online? Somehow I don't think hellions are much into social networking. — © Rachel Vincent
You thought you could figure that out online? Somehow I don't think hellions are much into social networking.
Once the people of planet Earth are all hanging out together online in a virtual world without any borders, I think it could change social networking, entertainment and even politics.
The biggest innovation of all is social networking, and cellular technology is the facilitator for social networking. People are mobile; social networking is people, and the only way people connect with each other is wirelessly.
The trouble with not being into social networking is that people think you're anti-social when you're only anti-networking.
I think social networking is absolutely here to stay. Now, whether or not the label will Facebook forever, depends in part, I think, on whether Facebook wants to try to be less proprietary, be more central to the operation of defining and stewarding identity online.
I think the whole aspect of social networking is vulgar and repulsive in a lot of ways. But I also see why it's appealing - I've had that little high you get from posting stuff online. But then you think, 'Did I need to say that?' I've explored that enough to know to stay kind of quiet these days.
As writer pay declined and teacher pay also, we all started hanging out online. You could say online social networks cheapen our friendships or you could say we were cheapened by a plutocratic power grab and this is all we can afford.
I often find things at thrift stores and library sales that I never could have been looking for. In those cases, the research is done after the fact to figure out what, exactly, I've found. It's surprising how much out there still has no online presence.
I think my relationship with social media has changed so much that I really resent social media now. And I'm trying to figure out what a successful exit strategy is as someone who has gotten a lot of opportunities because of social media and how it's given me a portfolio.
Social networking like Facebook or Twitter is very popular, but one thing I have found is that the more social networking tools you are using, the more alone you feel.
I keep in touch with my fans by keeping a blog online and I try to answer questions every day. I also have a twitter and a facebook. I think that social networking gives authors a unique insight in the minds of their fans and for me that is very valuable.
Facebook is by far the largest of these social networking sites, and starting with its ill-fated Beacon service, privacy concerns have more than once been raised about how the ubiquitous social networking site handles its user data.
When it became easy enough to do dairy online, then I just thought, "Oh, I'll start doing this. I'll put the parts online that aren't going to get me in trouble. I'll save the rest for myself." It became also this kind of self-therapy. I could write about stuff that was bothering me, or personal stuff. And the very personal stuff I could edit out. But it was kind of the catharsis of getting it out and writing about it, that made me think, "Okay, I see why people do this, why they keep these diaries." So I thought, "Well, let's see what happens when I post some of it."
I think if you read all my books you know where I stand, pretty much. You could probably give the reader a questionnaire and they could figure out what I'm about. But I don't think my job is to tell you that.
I think at first the Flume project really started out as an online thing. I used Facebook and SoundCloud, and I think we got lucky because it felt like a bit of a golden age of those social media platforms. So I managed to create quite a solid fan base online.
I think there are pros and cons to social networking, but on a social, personal level, it's just not for me.
In this day and age, when there are so many people creating work online and writing their own shows, I wouldn't tell another actor, 'If you can do anything else go do that.' I would tell them to figure out the story they want to tell, to figure out what artists inspire you and why, and then figure out a way you can create that for yourself.
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