A Quote by Rachel Weisz
In L.A., unless you've just won an Oscar or you're Mr. Studio Head, no one talks to you. Even at parties.
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If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music.
I just don't like my voice in the studio, and I just don't like the studio, I'm not a studio-head. And that's why you don't get so much material from me.
Even if parties associated with right wing populism don't win, they push other parties, the centrist parties, towards their position. So they do have an influence even if they're not in power.
I started out very quiet and I beat Mr. Turgenev. Then I trained hard and I beat Mr. de Maupassant. I've fought two draws with Mr. Stendhal, and I think I had an edge in the last one. But nobody's going to get me in any ring with Mr. Tolstoy unless I'm crazy or I keep getting better.
I think that it's a myth that there's one job that makes your whole career, unless you're winning an Oscar. But even that doesn't work for some people.
I just want to be in the studio 24/7. Even if I'm not working on a song right then, just sit in the studio. That's what I love.
The greatest missile in the world is useless ... unless it's targeted. A torpedo is adrift unless it has someplace to go. An arrow is pointless unless it hits something. So it's important for kids--for everyone, even if you fail at first--to target something and head in that direction. With all your might.
Everyone in the movie industry wants to win an Oscar. I don't think that's why you make movies. But winning an Oscar is not just about making a great movie, unfortunately. It's also having a good Oscar campaign.
You just don't know anything unless you can write it. Sure you can argue things out in your own head and bring them out at parties, but in order to argue anything thoroughly, you must be able to put it down on paper.
When I go into the studio - it [words] has to sound the way I heard it in my head. So that's probably one of the biggest things that separates me when I'm working in the studio - just how I hear certain things.
Oscar De La Hoya is unique. Even Ray Leonard didn't have the star power Oscar has.
The parties happen when we book the studio. That's a safe place. Get alcohol, food, girls, homies, and have these small listening parties while I'm recording. And that energy always gets into the music.
There are all these levels of pretension in LA. Every time you walk into a café or a bar or a restaurant in LA everybody turns around to see if you're famous. Everybody can seem like a celebrity. You can meet somebody who looks like Joe Schmoe and he turns out to be the head of HBO or something. Or you meet a person who just won an Oscar and he looks like he just won an Oscar. And it's a sprawling city, there's so many different parts to it.
When the [US] president writes to Kim Jong Il, the son, the Dear Leader, he doesn't call him Dear Mr President, he calls him Dear Mr Secretary. Have you ever noticed that? Why is that? Because he's not the president of North Korea, he's the head of the Communist Party, the North Korean Workers' Party and he's the head of the Army. He's not head of the state. The head of the state is his father, who's been dead for 15 years.
His [Pitt's] successor as prime minister was Mr. Addington, who was a friend of Mr. Pitt, just as Mr. Pitt was a friend of Mr. Addington; but their respective friends were each other's enemies. Mr. Fox, who was Mr. Pitt's enemy (although many of his friends were Mr. Pitt's friends), had always stood uncompromisingly for peace with France and held dangerously liberal opinions; nevertheless, in 1804, Mr. Fox and Mr. Pitt got together to overthrow Mr. Pitt's friend Mr. Addington, who was pushing the war effort with insufficient vigor.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
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