A Quote by Rachel Zoe

My first job, I worked at 'YM' and I had an extremely tough boss who made me cry every single day. But what I took away from that was how I would never be. — © Rachel Zoe
My first job, I worked at 'YM' and I had an extremely tough boss who made me cry every single day. But what I took away from that was how I would never be.
Work ethic is one of the biggest things my father taught me. That man worked like every day, every day, 9 to 5, well 9 to 9 in his case, but he would treat it as if it was a 9 to 5 job. He would clock in. He would put in his hours. That is how you can write those you know incredibly long books that unfortunately there is not much market for anymore, but that is also how you can explore an idea on a deeper level than we get in our media surface these days. It's tough.
Every single time I get on the mat, every tournament, I get to see what I'm made of, how tough I am, where my desire is, and how hard I've worked.
I think that everybody has hard work side, no matter what your job is, you have bad days, you have people you don't get along with. The thing about modeling is every single day you're working with a completely new team so every single day is your first day of work or your first day of school. And you can't really have an off day because that will be the only experience they have with you.
Nick, You know, The first guy I met when I first got to Seattle, As an eighteen year old, You took me in. You believed in me from the beginning. You knew that I had potential. And every single day I know I could look at you And know that you respect me As a man, As a player, And you gonna ride with me to the end. I thank you.
Just about every science whiz can tell you how he or she took apart the TV or the radio when they were kids just to see how it worked. To see what the world was made of. Well, when I was a kid, I took apart fairy tales to see how they worked. To see what the world was made of.
I totally love my job, and I wake up every day basically thinking about how can I do my job better. It never feels like a job. It's hard, and it's exhausting sometimes, but it never feels like - I would do this even if they didn't pay me to do it. That's a pretty amazing feeling.
It's lonely to say goodbye. Very lonely. Please. Cry with me. Maybe there's nothing we can do about this. But at least, for now...cry with me. Like your entire body...is screaming at the sky. Like it's raging against the world. I lost something. And I don't have a single guarantee. The fear of living in this world again after that...I have only a shred of hope to sustain me. So I want you at least...to cry. Cry. Cry with me. Like the day you were first born into this world.
My dad took on every job he could get. He worked like mad. But then, at some point, he had saved up enough to open his first pub.
[Directing first film:] I was terrified, it was really very scary because there is a lot of responsibility. I think I was terrified because I wanted it to work so much. A lot of actors direct movies but I thought the stakes were kind of higher for me because I really, really cared. [...] I just worked as hard as I possibly could on every single thing, every single day. I said that if this failed it would not be because I didn't work as hard as I possibly could...every day.
One day, we had a layoff at my job. And I went to my boss, and I said, 'Please save someone else's job. This is a win-win situation for the company and me - and just lay me off.' I did that in around 2003, and I never looked back. I became a full-time comic.
I met a girl and we ran away, I swore I'd make her happy every day. And how I made her cry, two faces have I.
When I was in Phoenix, people started noticing and looking every day to see what I was wearing, but it never really affected me. When you do this every day, it's just something you do. Even in Europe I was getting dressed up for every single game. Nobody may be watching but it's just me. It's how I live and it's how I move.
I'm still passionate now about my job, but when I first started out as a kid, I was so motivated. No one had ever acted in my family before, and my parents had no idea how to help with that. I would leave notes on my parents pillow every night at 13 saying, "Please help me find an agent!" Eventually it worked, so I relate to that go-getter mentality.
Every morning when I woke up, I would pray, 'I have to throw today, please let there be no pain.' Those were very gloomy days. Meanwhile, the atmosphere around me had become, 'Is he faking an injury?' 'Is it a mental problem?' Those words made it extremely difficult for me to stop and rest, and it really took a toll on me emotionally.
To me, success was not having to have a boss and not having a day job. I've been living my own version of success since the early '90s when I first got signed. I haven't had a job since then.
IT WAS TESS who told me about the crowd going to the all-night dance. We'd been school friends. We'd picked mushrooms and pretended to have seen a big ship. She had got married since I went away; it was a made match, a man from the midlands, a Donal, who had worked in a garage but took to farming, out all day, draining fields and callows so that he could till them and sow corn.
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