A Quote by Rachel Zoe
I try to compartmentalize as much as possible, and I have the most amazing team in the world. They really set up my time in a way that is completely efficient all the time.
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There's something really amazing about watching an actor like Michael C. Hall or Jennifer Carpenter, who are completely professional and do everything so brilliantly, but yet can have a really great time on set.
I had to write a comedy set and film a show at the same time. And it's the second time I've been up on stage as a stand-up comedian with untested material. I was saying it out loud for the first time that night. It didn't go how I expected, but in the best possible way.
I have a great team in Nashville that works so hard to organize my life and stay way ahead of the game. We're just really open and have a lot of communication and dialogue about making it our goal to keep me home as much as possible - as little time away from the kids as possible.
One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.
I try to be as efficient as possible because in my process, I think that actually helps the work. I like having the pressure of time and money and really trying to stick to the parameters we've been given.
I relax while I work. It's really weird but my job doesn't feel like work at all. That's why I try to do as much as possible. When I'm on the set, learning lines and playing around, I'm relaxed. It's so amazing.
When you're working with a low budget, the most expensive time is the time spent on the set. The words of the day are, 'Get off the set as quickly as possible,' and so CG enables you to do that.
I try to talk as less as possible and maximise the music part. I have tons of songs on my set list and I want to sing all of them, or as much as possible. If I talk more it'll eat into the time allotted for me.
Anxiety is a really crippling condition, and I suffer with it myself, and I feel for anyone who suffers from it. The way that I deal with it is try as much as possible to stay in the moment to not think about the past and not think about what's coming up in the future: to try and just seize the moment as much as possible.
I was risking a very promising and lucrative future in the business world that I was all set up to receive. I stepped out completely on faith. But when I engaged with an audience for the first time, I was right at home. I felt safe, and all of my senses worked together with a certain elegance. I understood flow in the most profound way. I knew then that I had to follow my heart.
Being efficient is the easy part. Suppressing one's ego completely for hours at a time is really hard.
I like to take things as they come and, as much as possible, not force anything. I think I could wind up somewhere completely different five years from now, something completely removed from acting - I could be perfectly content studying photography or English literature. At the same time, I love what I'm doing right now and could see doing this for a very long time.
I think auditions are set up for failure because they're not really the set experience. There's no time to develop the character. You're just looking at someone... if someone's really good in an audition, sometimes they're not good in the film. It's something you learn when you're doing short films. It's the same way that some people do well at taking tests and some people don't. But when you're on a long-term filmmaking process it's a completely different feeling.
If you want to write and can't figure out how to do it, try this: Pick an amount of time to sit at your desk every day. Start with twenty minutes, say, and work up as quickly as possible to as much time as you can spare. Do you really want to write? Sit for two hours a day.
In a really great way, you simultaneously try to take up as little and as much space as possible.
On a film set, for me, there's so much more time to process what's going on than there is on a television set. There's more wiggle room to try things and fail and try again and get to the heart of what's going on in the scene, which is really fun for me. It's what I like to do.
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