A Quote by Rachel Zucker
I agree that comedy does a good job - and is often about - stepping over the line - Lenny Bruce, etc. - and that this is important for a lot of poets too. I guess I feel like there has to be depth.
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Any comic like myself owes everything he has to Lenny Bruce. He was the originator. The godfather of uncensored American stand-up is clearly Lenny Bruce.
I view my stories as sexual or personal. Curiously, I don't. When I was writing those stories I thought of them as comedy pieces in the vein of performance monologue, such as you might get with Richard Pryor, or Lenny Bruce, or George Carlin. So I don't feel vulnerable because I know the line of demarcation between "Writer Kevin" and "Narrative Kevin."
My idea as far as comedy goes has always been to push the limits of what's acceptable for a woman to do or say or be. My hero in that would be Lenny Bruce, who teaches us that words have no meaning. It's the intent behind them that is what's important.
On the comedy side of what I love as a filmmaker are Richard Pryor, Lenny Bruce, and Eddie Murphy; those are my favorites.
I don't feel like I thrive doing livestream comedy, per se. It really triggers a lot of little neuroses that I have about performing and it's not conducive to me to do a good job.
W. Kamau Bell is in the vanguard of a new era of American comedy for an unsettling, troubling, and strangely hopeful time. Firmly in the fearless tradition of Mort Sahl, Lenny Bruce, Richard Pryor, & Chris Rock. Comedy as common sense purged of the absurd hypocrisy that is Our America.
I set out to be a cross between Lenny Bruce and Robert the Bruce.
I wish I were stronger and more secure in myself so that I could really spend my life with a guy like Lenny. Because he has a different kind of strength than Joshie. He has the strength of his sweet tuna arms. He has the strength of putting his nose in my hair and calling it home. He has the strength to cry when I go down on him. Who IS Lenny? Who DOES that? Who will ever open up to me like that again? No one. Because it's too dangerous. Lenny is a dangerous man. Joshie is more powerful, but Lenny is much more dangerous.
There's a lot of comedy in Intermission but it's got this depth. It's not comedy for comedy's sake - it's informed by something else. I like stuff like that
There's a lot of comedy in Intermission but it's got this depth. It's not comedy for comedy's sake - it's informed by something else. I like stuff like that.
I set out to be a cross between Lenny Bruce and Robert the Bruce - my main thrust was the body and its functions and malfunctions - the absurdity of the thing.
I'd heard that Lenny Bruce used a lot of profanity and obscenities in his act, and I was curious.
I guess what inspires me most is the desire to draw out feelings that feel best expressed on the written page by really good authors, and I'm not a really good author. I feel like my job as a filmmaker is to eff the ineffable, to take feelings that only poets could describe with words and try to project them on the screen for viewers to feel. I don't think I've succeeded once but in the act of trying I've come up with all these other results which sometimes intrigue me.
The most important to me is, Theo is a good person first and foremost. And I think that has a lot to do with it. He's not deceitful. He's an honest guy, a good guy. There's a lot more to this thing than it being a job for him, being born and raised here, the Red Sox being as important as they are to him. Above all else, Theo understands he's a compromiser. Theo understands that the clubhouse is our home. He doesn't invade that privacy often. When he does, he doesn't make you uncomfortable and that says as much about him as anything.
I feel that a lot of British comedy is often too bombastic, too obvious, dressing up and shouting and pulling funny faces.
Nobody is publicly accepted as an expert on poetry unless he displays the sign of poet, mathematician, etc., but universal men want no sign and make hardly any distinction between the crafts of poet and embroiderer. Universal men are not called poets or mathematicians, etc. But they are all these things and judges of them too. No one could guess what they are, and they will talk about whatever was being talked about when they came in. One quality is not more noticeable in them than another, unless it becomes necessary to put it into practice, and then we remember it.
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