A Quote by Rachelle Lefevre
There is no substitute for a real location when you're trying to shoot the jungle. You can't just go anywhere. You've got to go where it's lush and green and there really is those mountain ranges, the trees and the ocean.
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I tend to shoot really quick so you don't get the problems you might get on a traditional film where you shoot one way, then another, and it's pissing down with rain and they won't cut together. We shoot so fast we can incorporate the weather into it. The worst weather we had was when they were in the caravan up the mountain and there was no cover. One man's weather is another man's production value. To create the sleet would cost a fortune but we got it for free so we'll just have to go with it.
But your book is wrong, Mrs. Strunk, says George, when it tells you that Jim is the substitute I found for a real son, a real kid brother, a real husband, a real wife. Jim wasn't a substitute for anything. And there is no substitute for Jim, if you'll forgive my saying so, anywhere.
It's what we live for, to be able to make great illusions. The thing about 'Entourage' is everything we do is realistic. We go to the real places, we shoot on location. We get the real people. It's a perfect marriage between fact and fiction.
I usually bring a point and shoot with me so I can go out on the weekends and shoot a bit. I used to bring more cameras, but I'm also an Ebay nut so sometimes I'll order something if I'm really pining for it when I'm on location.
You didn't have to go on location if you could just shoot down City Hall, LA.
At Waco, was there really an urgency to get those people out of the compound at that particular time? Was the press going to make it look heroic for the Bureau of Alcohol, Tobacco, and Firearms? At Ruby Ridge, there was one guy in a cabin at the top of the mountain. Was it necessary for federal agents to go up there and shoot a 14-year-old in the back and shoot a woman with a child in her arms? What kind of mentality does that?
The next time you see one of those squirrels go near my putting green, take a gun and shoot it
When we let go of wanting something else to happen in this moment, we are taking a profound step toward being able to encounter what is here now. If we hope to go anywhere or develop ourselves in any way, we can only step from where we are standing. If we don't really know where we are standing—a knowing that comes directly from the cultivation of mindfulness—we may only go in circles, for all our efforts and expectations. So, in meditation practice, the best way to get somewhere is to let go of trying to get anywhere at all.
I was rather shaken by all the green trees. I always am. It gets me. I don't want to be funny about it but I am. I loved seeing all the westerns, but I had asthma and couldn't go anywhere, but I loved watching them in Technicolor and seeing the cowboys and the landscapes of Monument Valley and you'd see the forests of the Anthony Mann films and think, 'wow, that's fantastic', but I could never go there!
Growing up, Catholic church really was such an incubator for my imagination, because all of those mysteries felt embedded in this insanely green, tropical landscape: the ocean nearby, the giant banyan trees. It all felt part of one seamless mystery to me.
The animators are fantastic though. They'll shoot their own reference material, and just go into the car park or something. And they might shoot a very funny scene, or sometimes a serious scene. But they're really just trying to work out the motion. Yet what we get treated to is hilarious video of someone running around a parking lot with a broomstick and a helmet!
Everybody who makes any kind of policy needs to substitute teach. But you've got to be a real teacher. You can't just go to a couple of classes with the regular teacher there. It is an incredibly hard job.
When things go right (and they go right a lot - you just got to keep trying) there is nothing to really laugh about.
There's the famous quote that if you want to understand how animals live, you don't go to the zoo, you go to the jungle. The Future Lab has really pioneered that within Lego, and it hasn't been a theoretical exercise. It's been a real design-thinking approach to innovation, which we've learned an awful lot from.
You don't often get what you ask for, and I got exactly that. I got a show that was on cable, that I could shoot five months a year and go be mommy the rest of the time, and be with a cast and crew that I really, really love, adore and respect. I got all of that.
I still don't know how to drive. I don't go anywhere, really. My brother drives me. I walk around my neighborhood but I don't go anywhere, nor do I want to.
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