A Quote by Radha Mitchell
There's something really nice about having a group of people that you're committed to, that you work with and that there's a future in it. Film is like a party, and then it's over, whereas this hopefully feels like a family.
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There are loads of sociopolitical, racial, class and future-planet situations that really interest me, but I'm not really interested in making a film about them in a film that feels like reality because people view that in a different way. I like using science fiction to talk about subjects through the veneer of science fiction.
I find, in film, we're always making things and having these intense friendships and then losing track of people. When I first start a job, I'm quite nervous, and it takes me a while to find my place, and then it feels like I'm just really loving it and feeling great, and it's all over.
If it feels good coming out, then I really don't care about anything else, for real. It's all about just having fun with it. If it feels like less work, then the project is coming out better.
It's such a cool group of people that it [being a part of the DC Universe] feels like, for lack of a better analogy, being back on something like [Harry] Potter. We're working with a really tight, talented family.
One of the things I really like about TV is the family, the maintaining of the family camaraderie. Film has it, too, especially when you're on location. It's like summer camp. You'll get really close, really fast. But, then you'll have to say goodbye.
A franchise is dictated on the success of doing one film right, so if you can get it done correctly, you've got a chance of something else, but sometimes it just doesn't work that way. Ideally, it's insurance for the future; if you can do something, if you can find a character that people really do like, then you're very lucky.
If you have a group of people come together around a vision for real discipleship, people who are committed to grow, committed to change, committed to learn, then a spiritual assessment tool can work.
It's not about having luck; it's about putting yourself in a position of luck. Meaning, get into a situation where you are with like-minded people who are just as passionate about something as you are, and then work really, really hard.
If you look at the films that I've done generally, you would probably get an idea of what I'm most interested in, and if ever I do something unusual like a science fiction film or an action film or a comedy or something, then that to me feels like a step to the side to do something different.
I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.
I will tell you that I'm a bit of a snob. I love film, and I would like to work in film, and I'm disappointed that indie film is as hard as it is to work in now. It's hard to get things done, but that sort of work is being done on TV. That's what I do; that's what I write. It's what I love, and hopefully, that's what my future's going to be.
Don't get me wrong, I like to have a good party sometimes. But I really like having my friends over, cooking for them, dancing and then doing some painting.
I don't do enough movies that I can call it a career. It really is sort of like summer jobs or something like that. It's very much like holiday work as far as, okay, I do it, and I'm there for two weeks and hopefully am working really hard, and then it's done, and I kind of go back to what I was doing before.
It feels like a rash. It suddenly seems like I've got a contagion of diseases, I mean awards. But it's nice, it's a nice feeling. It's so weird, because I'm only 46. A lifetime Achievement award... it feels like 'I'm not over yet'. I hope they're not trying to say it's time to stop. I'm only just getting the gist of it.
I don't like to see projects that are all black or all white. It's how life is. I do like to make sure that I do a nice black family film; that's like keeping my home base. I do other things, but I like to always come back to a positive family film, because of all the negative influences today.
When I put something into motion, the creativity starts to make other people want to jump in, and then a lot of people get employed. I'm just like a shark, in that way. If I stop swimming, I'll die. But, it really is about that shared experience with people. I'm from theater, and that's really what theater feels like.
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