Well, obviously I was excited by the idea that Woody Allen was going to direct it. But at the same time, the script itself and the character was really interesting.
It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.
Woody Allen, that was a dream come true, although I never really talked to him. Auditioning was fun, because you don't really hear much about the script. They just said, "They want a Woody Allen type," so of course I got the call.
I remember calling and asking, because I had a few lines that were like, "How could the character have done this?" and I hadn't read the part of the script that said what she [ Cate Blanchett] did, so they put me on the phone with Woody... Allen. I don't know if I could really say "Woody."
I loved Woody Allen's short pieces. I was equally influenced by Woody Allen and Norman Mailer. I was very into this idea of being high-low, of being serious and intellectual but also making really broad jokes.
I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
Woody Allen is kind of the one example I don't have. Because the way he works and the amount of shooting time that I did on that film, I didn't really get to know him, so he kind of stays as "Woody Allen" to me.
[In] 2010, Woody Allen said that he felt Barack Obama should be a dictator so that he could get things done, and the first thing obviously that Woody Allen wanted done is to make it legal to have sex with stepdaughters.
What if Woody Allen called me and said, I'm working on this movie and there's a really divine role for you. We want exactly you! It would be such a fantasy. Forget it! My idol, Woody Allen!
Obviously, if Woody Allen calls and says he wants you to read a script, of course you read it.
From the onset of the 'Live-Read' series, we wanted to hit all the major writers and Woody Allen is simply one of the greatest screenwriters of all time. He has ability to match pathos and comedy and drama and then turn it all on a dime. If you're going to make a series based on dialogue, you can't find much better than Woody Allen.
When I worked with Woody Allen, I only got the parts of the script that I was in. I was able to piece together the narrative from that, but I remember being quite excited to watch the movie - the movie that I was in but didn't know what happened in, like, 65 percent of.
You never in a million years thought that you would ever end up in a Woody Allen film even though that might be your dream, and there you are. Suddenly you've got one. But you're not playing the quintessential Woody Allen heroine, which is somebody that's full of self-doubt and heartbreakingly naïve. Chloe in Match Point was a nightmare in some ways and totally entitled, and felt like everything was going to be all right. Most of the women in Woody Allen films feel like everything's awful. I didn't understand what to do. But some of the confusion is helpful.
I'm a writer and director, and the movie I've seen a million times is 'Stardust Memories' by Woody Allen, starring Woody Allen and Charlotte Rampling.
Mia Farrow was the person I was really excited about getting to know, because Woody Allen is one of my heroes and, just by proxy, I was a huge fan of hers.
Mia Farrow was the person I was really excited about getting to know because Woody Allen is one of my heroes and, just by proxy, I was a huge fan of hers.
Woody [Allen] is a fascinating character to be around. You don't really know what he's going to want. You're on your toes, but you're on your heels too, if you know what I mean.