A Quote by Radha Ravi
I've been a character artiste for four decades, and in our job, we learn very early that it doesn't pay to be narcissistic.
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I have a little bit of experience going in and playing a character - I played a character on 'Smallville' that had been established for decades and decades before I took it.
I've been interested in pandemics for decades. I even made a four-part series for Channel 4 UK and SBS called 'Invisible Enemies' which screened in the early 90s.
I got the first job and kept going. Once I got a job, I very much wanted to keep getting jobs, basically. I did try to learn what I could in those first couple of decades.
The violence that has been going on incessantly in our community, getting worse and worse by the day, when we are slaughtering ourselves in unprecedented numbers; filled with self-hatred for each other in a spirit of retaliation and revenge. You kill my dog, I'll kill your cat, as though there are no consequences for this behavior, I have warned us about for the last three, nearly four decades telling our people we're going to have to pay a price for this.
I've been in a very male-dominated business for decades. I found, particularly early on, that there's plenty of room for passion, but there's very little room for emotion.
I enjoy catching our show whenever I can. It does get very weird to watch myself, it's always been that way, but at the same time, it's part of my job to see what kind of job I'm doing and to get a perspective on where I'm taking the character.
I lived in Greece for about four years of my life, and living there had a huge impact on my life growing up. My father was very much adamant that we would learn about our culture. It's a very rich culture to be a part of since it has such a great history behind it. I definitely carry that in my job, and I am very passionate.
Very rarely have I worked with a director where we've been at odds. And by the time you've actually talked to somebody and you have the job, there's something that they see in you that they want you to bring to the character. And the best director says very little to you, acting-wise. They usually just say, "Okay, here's the shot." It's their job to do all that stuff, and your job's to do the acting. So it's very rare that somebody will say, "Oh, no. I conceived this very differently".
I have been acting over 3 decades now, so I think after all these years of experience I can get into any character very smoothly.
It's been great. I've been very lucky to work with more experienced actors early on in my career because I get a chance to learn from them. There is so much you can learn from them. You can just follow them and you'll be pretty safe.
If I can transport audiences for the three or four hours they're at the opera, to make them forget all of their worries, the bills they have to pay and all that, then I've done my job. That, for me, is very gratifying.
When you start digging into things like character, though, the notion that people have high character or low character is very strong. What's crazy is that my thinking is not a new insight. The very first large-scale study of character, still one of the largest ever, was done in the early 1900s by Hugh Hartshorne, an ordained minister and a scientist.
I realized early on that being an author is a hugely misunderstood job. Because there are no pay grades and very little structure, people make interesting assumptions about the profession.
We are seeing a working-class, a middle class, which over the last three decades has seen their wages and income stagnate, while the very rich have seen their tax burden lighten in ways not seen in three or four decades. It's a face of a country that we need to look at and understand that inequality is perhaps the greatest threat to our economic recovery and democracy, and in that context we must take action.
The fake news is - I mean, as a tool of warfare - has been there for decades and decades and decades. It was never very well done until, really, the Ukraine, though I would say that the Russians used to complain about fake things to say the State Department.
The Black Mountain poet I like most is the early Creeley. Those early poems seem very lyrical and very traditional, with a lot of voice and character.
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