A Quote by Radhika Apte

I want to be a part of stories. — © Radhika Apte
I want to be a part of stories.

Quote Topics

All they get around here is stories. Stories don't make you bleed. Stories don't make you go hungry, don't give you sore feet. When you're young smelling of pigshit and convinced there ain't a weapon in all the damn world that's going to hurt you, all stories do is make you want to be part of them.
We want to make sure the stories that show up in Path are both good stories and are a big part of people's lives.
I want to have a lengthy career. I want to play interesting characters. I want to tell beautiful stories, complex stories, deep stories.
I make different choices in regards to the stories I want to be a part of. In my mind, it's a totally different medium. Commercials are little skits, and movies are stories; I became a little more picky in my choices for stories that I wanted to be involved in.
I just want to be a part of great stories, whether I'm part of an amazing ensemble cast or I'm leading it or the antagonist or whatever.
The first week I was in Iraq, I said, "This is what I want to do. I want to be a reporter and to tell stories of people whose stories would not be told if we don't gather them." It's part of what I think of as the one-two punch of journalism. You're trying to give voice to the voiceless, and then you're also trying to hold those in power accountable, regardless of what party they're in.
I want to continue to make beautiful movies. The most important thing is to be a part of beautiful stories, that's all I want. So I don't care if it's a Hollywood movie or an independent movie or a Spanish or American movie. I care about telling stories.
These are the stories of travelers on a spiritual quest between worlds. Part mythmaker, part poet, Omar Castaeda is an original, and these stories are unlike any in our literature.
You know what's it's changed is my appreciate for the art form of making cinema. I don't want to act as much as I want to tell stories. I want to be a part of the whole collective and pull all of the pieces together. That's what I love about directing.
It's kind of part of human nature to want to know the truth or want to be in on the secret. For stories that focus in on that - like whodunits - it's easy to get drawn into.
I'm interested in Native American and African American stories, and LGBTQ stories and stories of persons of mixed heritage. These are the stories I want to see onscreen and on the pages.
I dreamed of being a part of the stories—even terrifying one, even horror stories—because at least the girls in stories were alive before they died.
In my time since moving to the United States, I've found that there is a dearth of great writing for black people. There are stories that depict us in a way that isn't cliched or niche, and that a white person, a Chinese person, an Indian person can watch and relate to. Those are the stories I want to be a part of telling.
I just want to be part of great stories that are told and for them to be relevant.
You don't necessarily need to go to film school to learn that part of it. But what I valued was that it gives you that incubation and time to figure out who you are, what kind of stories you want to tell, and how you want to forge your path.
Big stories have lots of angles, and you have to decide what part of that story you want to address.
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