A Quote by Radhika Apte
If you are an industry kid, the first film is given to you on a platter. However, the pressure and expectations are immense.
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With 'The Angel's Game', there was a lot of pressure from the expectations - expectations from the book industry and from readers; it's natural.
The expectations of the viewer are what you're asking about. And the expectations of the viewer are manifold. However, they are very fixed, given who I am in the world. People have certain expectations of me as an artist.
There is always pressure. If you make a flop film then you are under pressure to make a hit film. If you make a hit film then you are under pressure to surpass your own standard or at least deliver another hit because the audience also has expectations.
No one needs to treat you like a star kid in the industry, but you do get pointed at... people assume you get everything on a silver platter, but that's not true.
Life is - the way God has given it to me was just a platter - a golden platter of life laid out there for me. It's been beautiful.
I realize now that it is a serious business requiring honest, hard work. The first time Hollywood was served up to me on a silver platter. I've finally gotten rid of the platter.
I did my first film when I was in the final year of my graduation. At that time, I was still a kid, and I couldn't read the industry very well.
When I was a kid, I built miniatures, and that was actually the first thing I did professionally in the film industry. It was a demonstrable skill that I had, so I worked as a model maker.
There's a certain amount of pressure that goes with writing superhero characters, especially characters that are beloved to audiences. You know that you're always writing into a certain amount of expectations and into an existing fandom, and I try to take the pressure of that in when I first accept a project and then I try to push it aside as much as possible and just focus on the story that I want to tell. It's definitely a little more pressure than writing something of your own, from your own brain, and creating those expectations from scratch. But I also like the challenge of it.
There are few teachers from the film industry to guide newcomers. One can see a gap between the film industry and those teaching at film schools.
There's strong data that, within companies, the No. 1 reason for ethical violations is the pressure to meet expectations, sometimes unrealistic expectations.
As women, we're busy. We're under stress and under pressure, and the expectations are so high for us, so the first thing to go is self-care.
Being star kids, there are certain expectations to live up to. There's a certain pressure from the public. And, if your film doesn't work, it's even worse.
Leadership is never given on a silver platter, one has to earn it.
The Limits Of Control is not surrealism, but it is an experiment in which expectations are deliberately removed: expectations for narrative form, for action in a film, for certain emotional content. We wanted to remove those things and see if we could still make a film that was a beautiful film experience, with deliberately removing things many people would expect.
In my opinion, having worked in the games industry and still keeping in touch with a lot of those guys, there was definitely a time when they saw themselves as the little brother of the film industry. But they kind of went off in a different direction and now see themselves, I think, as being far more interesting and ahead of the film industry. They haven't just caught up. They've gone off in a different direction and exceeded the film industry.
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