A Quote by Radhika Apte

I had no apprehensions doing bold scenes. — © Radhika Apte
I had no apprehensions doing bold scenes.

Quote Topics

I have done bold films like 'Antarmahal' and 'Khoya Khoya Chand' and also had some bold scenes in them. But boldness is limited to my comfort level.
I never had any apprehensions while shooting for intimate scenes, we are all actors. The only apprehension would be about who are the people who are working on that particular project.
You see everyone today is doing bold roles and no film is made without endless kissing scenes, that too with A-list stars.
There are so many family dinners you can do. I eventually had to go to them and say, 'Look, I don't do spatula work. I don't do scenes with oven mitts. If you're looking for that, you've got the wrong guy. I'm not doing scenes about casseroles. It's not happening.
In 'Queer as Folk,' we had three or four sex scenes in every episode, so I got used to doing that very early on. Those kinds of scenes can be challenging. They take a bit of time, and everyone's a bit nervous.
Even for the people in the bank into which the other banks are merging, they also have a lot of apprehension. There is always an apprehension that opportunities will go down. There are apprehensions of displacement. Many of these apprehensions are unfounded.
When I go to throw a punch, actually, my intention is to hit somebody. That's just second nature to me. So you have to just rewire yourself. It's not something where you have to sit and subconsciously think about it, but you kind of have to just put yourself in that mode and go with it. Learning the fight scenes, I've never had to learn choreography before, so learning the fight scenes was like learning a dance or something like that. I had a little bit of influence in the fight scenes and I tried to put as much influence there as I could, but I had fun doing it.
I'm associated with bold scenes and I look glamourous.
When I was in acting class, we did a lot of really serious scenes, and we didn't do comedic scenes. I felt like doing those scenes, it didn't come out of my mouth the right way. I don't know if it's because my voice is different, or what it is about me, but it just seemed a little off.
When I think of the Harlem Renaissance, I think of bright colors, and bold, dynamic art. African American artists of the period were, in large measure, breaking out of the constrictions white society had set for them. They were claiming and remaking their own images, and doing so in bold and striking ways.
I had the feeling I had to stay focused on what's lying under. A big part of the story in Toni Erdmann happens on the sub-level. On the surface, a lot of scenes, it's banal. If the actor starts thinking, "Oh, I'm in a genre, I'm doing a comedy, I'm doing funny things," then you lose.
Doing 'Kucch Luv Jaisaa' was like a debut. There were never any apprehensions.
The 'serial kisser' tag that has been thrust on to me is a lame stereotype. It irritates me. Yes, there is sexual content in my movies, and I have never been apologetic about doing bold scenes. But it's not fair to tag me this way because that can be very stifling.
Let me completely condemn these sickening scenes; scenes of looting, scenes of vandalism, scenes of thieving, scenes of people attacking police, of people even attacking firefighters. This is criminality pure and simple and it has to be confronted.
Romantic scenes are a part of Bollywood cinema, and if the script demands some kind of intimacy, I have no issues with my daughter doing those scenes.
I had a lot of inhibitions where I was not comfortable doing intimate scenes.
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