A Quote by Radhika Apte
Bollywood is a business more than an art industry. One has to play the game others play to carve your own path.
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You know, in this industry, being an openly queer actor or entertainer, you can play the game your way, or you can play it the industry's way. And I decided to play it my way. I played it the industry's way far too long.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
I don't just get bogged down in, 'I want to win.' There's something even greater than that. And that's the way that you play the game. I want to play beautiful football. That's our purpose: to go out and play the game at the highest level, play it the right way.
There's not a Sunday that goes past that I'm not excited to play this game. I feel as if I'm a lucky individual to have the opportunity to play this game, and when I do have the opportunity to finally play, you can bet your last dollar I will be excited to play.
I constantly caution our teams: 'Play your game, just play your game. Eventually, if you play your game, stick to your style, class will tell in the end.' This does not mean that we will always outscore our opponent, but it does insure that we will not beat ourselves.
Life is a game, and it's much more fun if you play it as your own game, so stay light and loose and relaxed.
Send anyone claiming that their RPG activity is an art form my way, and I'll gladly stick a pin in their head and deflate it just to have the satisfaction of the popping sound that makes. One might play a game artfully, but that makes neither the game nor its play art.
There is a good deal of art that in some traditions of conceptual work are anti-affect, in fact a very large chunk of mainstream art after 1950 took against affect art altogether because they said, "No, we hate affect art because this is how we get manipulated by totalitarianism and therefore artists shouldn't play that game." And a lot of artists agreed to play that game, which I personally believe is to the loss of art.
It is good to have healthy competition and be inspired by others, as all this helps you take up challenging roles. There are people who come from different backgrounds in this industry. In my case, my mom runs a play school, and Dad is into business. When I go home, conversation revolves around that and lot more topics other than cinema.
That's why you play the game. You play the game for your teammates, who really want to play with and for you.
I think you have to play your own game and sometimes people don't realise that the play-maker runs the most kilometres on the pitch!
The literary game is the abyss of human society itself: interactive, playful and tragic. We can't live alone. For me, Robinson [Crusoe] is either a false myth or else he represents the denial of human society. We can't play by ourselves. In literature, it's even more complicated, because one has to play with an indeterminate number of players simultaneously and every game is different. The other player can abandon your game at any time...to go play chess.
I've learned that every game is different. You could play one team and have a terrible game and the next time you play them have the best game of your career.
You play this game, that's what you play this game for. You play the game to go to the Super Bowl and that's the only reason why we play to win and make it to the Super Bowl. So anything short of that would not be acceptable and I think my teammates know that as well.
Some players are more physical than others, some play with more finesse. Some are just really great all-around players. So you have to change your game.
As a player, remember that the bench is not a prison, but an extension of the first group. Concentrate on the quality of your play when you do get into the game. If you play 20 minutes, play the best 20 you can possibly play.
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