A Quote by Radhika Apte

I do films because there is an audience out there. It doesn't matter if they're Indian, American, or European. — © Radhika Apte
I do films because there is an audience out there. It doesn't matter if they're Indian, American, or European.
There is a lot of anxiety in India about writers selling out to foreign audiences, but I’m neither flattering the Indian audience nor the American audience. I’m uneasily somewhere in the middle.
I'm a European, and I live there. I work in European films, and then once in a while, I make an American movie.
We have now an American political party and a European one. Not all Americans who vote for the European party want to become Europeans. But it doesn't matter because that's what they're voting for. They're voting for dependency, for lack of ambition, and for insolvency.
I think that Tyler Perry's genius really has been to tap into the domestic market. He knows what his audience is based on, having toured America for so long, and then giving them the blueprint for his films prior to the films coming out, and then the films have the built-in audience because they've seen it in theaters already.
Whereas European films have traditionally been able to go into adult relationships. I think there's a huge audience in America for those kinds of films.
American films are less American every day, because you have to please a world audience. There's less authenticity, so it's more accessible.
European films were what it was about for me - the sensations I needed, the depth, the storytelling, the characters, the directors, and the freedom that you can't really find in American films
European films were what it was about for me - the sensations I needed, the depth, the storytelling, the characters, the directors, and the freedom that you can't really find in American films.
I like independent films... European films. I do go and see popular films as well because my kids force me.
I see myself as, first and above all, a teacher of history; next, a writer of European history; next, a commentator on European affairs; next, a public intellectual voice within the American left; and only then an occasional, opportunistic participant in the pained American discussion of the Jewish matter.
In the olden days films used to become huge hits because of family audiences. But nowadays certain films cater to youth audience and once that is exploited then the film stops. and some films are for a mature audience. My aim is to satisfy all the sections of the audiences.
There have been a bunch of Indian films in English that found an audience.
There's not enough black films out there. There's not enough Latin films, or films that have an Asian, Indian or Middle Eastern lead. The list goes on and on.
I'm not even Indian-American: I'm Indian-Indian. Everybody expected me to have henna and a nose pin and talk in an accent like Apu from 'The Simpsons.' I was nervous because I wasn't sure if America was ready for a lead that looked like me.
Indians can identify with the Indian sensibilities, and rather than taking something from foreign films, it is always good to make a movie which has been enjoyed by a certain audience or in a certain part of India and make it available to a larger audience.
My South Indian audience matters to me a lot, so I like when they watch my Bollywood films. It feels great.
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