A Quote by Radhika Apte
If I take up something, then it's only because I love it so. It makes no sense to leave it just because I got a better offer.
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It's better to embrace your roots than it is to fight it, because then you're just fighting something that you're not going to win. We're like a band of gypsies, and it makes sense.
It's not possible to advise a young writer because every young writer is so different. You might say, "Read," but a writer can read too much and be paralyzed. Or, "Don't read, don't think, just write," and the result could be a mountain of drivel. If you're going to be a writer you'll probably take a lot of wrong turns and then one day just end up writing something you have to write, then getting it better and better just because you want it to be better, and even when you get old and think, "There must be something else people do," you won't be able to quit.
If you're a poet, you do something beautiful. I mean, you're supposed to leave something beautiful after you get off the page and everything. The ones you're talking about don't leave a single, solitary thing beautiful. All that maybe the slightly better ones do is sort of get inside your head and leave something there, but just because they do, just because they know how to leave something, it doesn't have to be a poem for heaven's sake. It may just be some kind of terribly fascinating, syntaxy droppings--excuse the expression. Like Manlius and Esposito and all those poor men.
Sometimes I decide not to make something because I am proud and think I am better than that - and then I realise I have to pay the rent and I have to take something which is even worse than all the other stuff they offer you because you were being so proud not to take it! But you adjust and sometimes for one reason or another there is no strategy at the end but there is the ability to do the best that you can with what you have.
Love, in the universal sense, is unconditional acceptance. In the individual sense, the one-on-one sense, try this: we can say we love each other if my life is better because you're in it and your life is better because I'm in it. The intensity of the love is weighted by how much better.
Love is what makes you dream, and love is what makes you want to get up in the morning. Love is something that you want to be a part of because it makes you better.
I love the psychological thriller piece of it. Because we are trapped in this isolated environment with a deadly virus, what's really interesting is that everyone's darkness comes out because we've got these life-and-death stakes going on. And then, there're these interesting relationships going on, but we can't quite deal with the relationship right now because we've got something better to do, which is survive.
Secrecy fuels erotic intensity because it makes you feel like you're doing something that is entirely yours. It gives you the sense of autonomy, the sense of freedom, and the sense of sovereignty. And then you add to that the sexual energy. In many affairs, people will tell you they slept with the person three or four times, but the story went on for months. That's an important thing because many people who have affairs often have very good sexual relationships at home. It's not necessarily a compensation story. But affairs offer a different sexuality with a different context.
We got hooked on grain-fed meat just as we got hooked on gas guzzling automobiles. Big cars made sense only when oil was cheap; grain-fed meat makes sense only because the true costs of producing it are not counted.
Cuba is a poor country. Most of the Cubans who leave only do so if they can find better economic conditions elsewhere. That's why we need changes. We have to offer incentives to keep people here. We have to create more attractive policies for young people, so that it also makes economic sense for them to stay. We need growth and a better quality of life for everyone.
We don't teach from Books of the Bible because it gets in the way of evangelism. We don't offer different kinds of Bible studies because it gets in the way of evangelism. We don't teach doctrine because it gets in the way of evangelism. If you want to be fed God's word or have the Bible explained to you then you are a fat lazy Christian and you need to shut up and get to work or you need to leave this church because we ONLY do evangelism.
So, then you find yourself in a situation where you have to do things because they're on offer to you, because you don't have much self-respect left. You just can't say no, even to something that you've never done before. You just can't help yourself.
Where are you going?" "Nowhere special. I just have some... things to do." "Why did you pause?' "I'm sorry?" "You paused. You have 'some... things to do.' "No reason, I just--" "You're up to something." "No--" "Then why'd you pause?" "Get in the car." She got in. He got in. "Seat belt," he said. Why'd you pause?" His head drooped. "Because I'm up to somthing." "And why can't I come with you?" "Because it's something sneaky." "Do you promise to tell me later?" "I do." "Well all right then." She clicked her seat belt into place. "Let's go.
Your being born makes your parents God. You owe them your life, and they can control you. Then puberty makes you Satan, just because you want something better.
Because it's one thing when you - oh, I love this tune. But then when you go to sing it, it's got to have something really personal. Then down to 25, and then to pick the final ones I just picked the ones that were more personal, that had something to do with my life.
There's nothing worse than an anxiety-filled, fearful actor who just needs that next job, because they're not gonna get that next job. Any time I got a job that made me feel good about myself, or made me feel, "Hey, I'm working my way up," then good adds to good. Because it makes you feel better about yourself, and that makes you more attractive, I think.
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