A Quote by Radhika Madan
When things are happening they don't hit me at that point of time. The downside is that I don't get to celebrate the moment, the upside is I don't get intimidated and I can perform.
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An interesting attribute of public banks is that they don't only de-risk the downside, but also get a share of the upside.
If you're a pitcher, and you're pitching and you strike me out and you start celebrating on the mound and showing me off, whenever I get a hit off you, I'm going to go and celebrate, and you shouldn't get mad. If you're a pitcher and strike me out and show me respect and you don't show me up, when I get a homer or a hit, I'm not going to show you up. That's what I believe.
When you get hit, you hit back, you've got to do it. You don't just say "I didn't get hit, oh I didn't get hit." When you get hit, we are destroying our country with these sick people [from mass media] back there, and they know it better than anybody in this arena.
Embrace opportunities with limited downside, unlimited upside. The best deals are those where your risk of loss is predictable and fixed if things go wrong, while your potential gains are enormous if things go right. Take such deals whenever you can get them if the odds of success are halfway decent.
I don't get intimidated, you know. Because I feel like when you get intimidated, you become nervous, and then you turn to fear.
To represent a country, qualify for the World Cup, and get a team to perform at the right moment in time would be great honour for me.
I've hit a point where my big luxury is getting to work on the things I want to work on. That's my hobby. It's being able to do a movie like 'Chef,' where you don't get paid, where you get paid scale, but you get to do exactly the movie you want to do. To me, that's worth more to me than whatever money I would have gotten paid.
Obviously, if you win a trophy, like I won when I was a player, it's a moment to celebrate. For me - this is my mentality, and I don't want to say it's right or wrong - I love to celebrate in private and not make it public. I love to celebrate the things with your team-mates.
I used to get made fun of in the minor leagues. I'd be 0 for 2, and then in my last at-bat I'd hit a chopper that wouldn't even reach the shortstop, and I'd get a hit out of it. The guys would be all over me, but a hit's a hit. I'll take 3,000 of 'em.
I don't get intimidated. When I'm on set, I never really get intimidated by people. But in social situations, it's weird sometimes. You don't want to seem like you're kissing somebody's ass because they're a celebrity.
The generation before me certainly told me that there would come a point when there were fewer parts, telling me to make hay while the sun shone. There was a time in my late thirties when I thought that it was something I had to get myself ready for, that things were going to slow down as I hit 40.
I think nobody can get me out. I've got a pretty good idea of what I want to hit. If I get my pitch, I'm going to get a hack in. And if I don't get you this time, I'll get you next time. I'm not saying I'm better than anybody, but I am saying that nobody is better than me.
You know, we always tried to rationalize by saying you take the good, you take the upside, you got to deal with the downside, you've to take the downside.
When you get hit that's when you've got to be calm. A professional fighter has to learn how to hit and not get hit, and at the same time be exciting. That's what professional boxing is about. You've got to be clever, you've got to be smart, and not get hit, and when you're able to do this, you're a fighter.
When I was learning how to box, that was the number one thing my trainer taught me. He said you can't get angry at every single time I hit you because that's why you're here. You're going to get hit. Acknowledge that you're going to get hit and now focus on how you're going to fight properly. And living through the times is exactly the right way to put it because I have seen a slice of this only on a different continent.
Unfortunately, when you're working in film, it's this huge machine, and you've got to get everyone right there, so you get kind of locked into things. I'm not sure where the artistry in film making is. It's usually that moment when you're on set and you're working with the actors. That's the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It's upsetting because you get away from the core.
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