A Quote by Radhika Madan
I don't want to put myself in any bracket. I will do whatever makes me jump out of my bed. I want to surprise myself and the audience.
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I don't want to limit myself to any genre or language or a type. I want to always surprise the audience and, hence, keep raising the bar for myself.
I want to live my life on full. I want to die empty, whatever that means - giving myself to my three kids now, giving myself to love or a relationship, giving myself to my career, devoting myself to being a healthy person. I have to give my full self to something, because that's what makes me feel alive.
But nothing will persuade me that the mere fact of being in a place is enough in itself to justify the effort of getting out of bed to become a tourist, or even a traveller. I don't have the slightest wish to be intrepid. I don't want to prove myself to myself or anyone else. I don't care if no one thinks me brave or hardy. I have no concern at all that I did not have whatever it is I should have had to take a dive out of a plane or off a building. None of that matters to me in the least.
I want to be able to still surprise myself, even shock myself, whether it be sexual content, whether it be about the theological content, whatever. I want to be able to knock myself sideways. Otherwise, what a waste of a life that would be.
Once something gets noticed and people love you, most of the makers want to put you in the same bracket, feeling this is what the audience would want from an actor. But as an artist, I don't want to be in that space.
I want to talk to you. I want to listen to you. I want to walk with you and, yes, I want you in m bed. That's what I want today. That's what I'll want in a hundred years. If you promise to be my wife forever, I will pledge myself to your happiness.
As things grew for me I felt like I was losing myself and wanted to stay true to myself as well. I didn't want to lose any connection I had with the audience. I felt small on a big stage and I felt like I was peaking generically to an audience.
I've always questioned the way dancers, myself included, must do the same role year in and year out. It's important for me to be able to say to myself, 'O.K., I don't want to be a prince anymore. I want to put on a leather jockstrap and pose.'
I always focus on myself in what I want, where I want to go, who I want to reach, which message I want to put out, how I want to dress.
I've made a way to allow myself to do big films, small films, dramas, comedies, action films, horror films, or whatever interests me, as a movie-goer. I like watching myself in movies. I want to choose movies that allow me to enjoy myself, the way that I want to entertain myself.
I don't want to have to put on that "thing" - I call it "the thing" when I have to do my hair, put on the lashes, get dressed up. When I go out for potato chips, I just want to go out looking like myself, which means you will see bad pictures of me. There probably are some out there right now, but it's just part of the life.
I grew up never seeing myself on-screen, and it's really important to me to give people who look like me a chance to see themselves. I want to see myself as the hero of any story. I want to see myself save the world from the bomb.
I think what makes me different from the average Joe is that I feel free to be myself and express myself in the way that I want. If that makes you mad, we're living in a world of dire straits. If anything, it makes you more sane.
I want to thank the Arsenal fans who've always supported me. But I can't apologise for my decision to leave. I want to get more out of myself. I felt the main thing was taking myself out of my comfort zone. That's why Liverpool shouted out for me.
The thing about a cartoon is, you can do whatever you want. The tightrope that we are walking on 'The Simpsons' and 'Futurama' is 'How do you continue to surprise the audience, but make them good surprises?' Not every surprise is good, but you want to continue jolting people.
The thing about a cartoon is, you can do whatever you want. The tightrope that we are walking on 'The Simpsons' and 'Futurama' is "How do you continue to surprise the audience, but make them good surprises?" Not every surprise is good, but you want to continue jolting people.
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