A Quote by Radhika Pandit
'Gaana Bajana' gave me an opportunity to experiment with my looks. I played a tomboy in that film, a role that I hadn't essayed before. I have no regrets for having done the film.
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'Power' is a very special film for me and is one of the finest films of my career. I have played a character that I have never done before. My role has a lot of comedy.
Amitabh Bachchan played the role I was supposed to play in 'Saat Hindustani' but I cannot say he got his first film because of me. He had already been cast in the film, but was playing a different role.
'Stomp the Yard' was a great film. It was a great film, great opportunity. It's the reason I live in Atlanta to this day, that film. But as far as acting goes, it wasn't very challenging. I played me.
What attracted me to A Perfect Getaway was that I sorta played a girlfriend role for, you know, 85 percent of the film. That was really interesting to me, because I'd never really played a girlfriend before.
What challenges me is this - I want to walk out of a film with the experience of having done a film, not with a feeling that I have sleepwalked through it.
When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.
Before that film, I was nobody. Each job I got, I was so excited. Each paycheck I got, I thought, 'Wow, I'm getting paid to act.' But 'The Matrix' gave me so many opportunities. Everything I've done since then has been because of that experience. It gave me so much.
The role that I played in 'Gaana Bajaana' was that of a tomboyish girl who identified with the guys. There was nothing feminine about her.
My pay packet is reasonable. But I prefer doing films where I have a meaty role. The set-up of the film and the filmmaker also matter to me. For me those are vital issues that help me decide on a film. You never sign a film only for money.
People recognize me on the street for all kinds of different things that I've done. 'That Thing You Do' remains to be my favorite film in which I played my favorite character. That role is the one that I'm most recognized for.
I was excited to play a bald guy in 'Ujda Chaman' because I had seen the Kannada film 'Ondu Motteya Kathe.' I loved it, and I felt inspired. It was the kind of movie that I wanted to do. I thought this film was offering me a very different role and an opportunity to perform.
I got into film in an odd way - when I was 17 years old I participated in a Swedish film as an actor. I think every person at that age should get a role in a film, because during that time you want acceptance, and when you have a role in a film you become an important person. I think about that now, and that was my fantastic starting point.
I've loved to be a part of anything, having an opportunity to entertain, to be a part of a film, or just continue to do what I'm doing, I'm so happy, so just making town after town, doing my thing, but if I have that opportunity to star in a film or be an extra, I don't care; its all a learning experience for me.
I'm very troubled when editors oblige their film critics to read the novel before they see the film. Reading the book right before you see the film will almost certainly ruin the film for you.
I was overjoyed when I was offered the title role in 'Well Done Abba.' I was ready for the role even before I heard the story because you don't ask questions when it is Shyam Benegal's film. It is the chance of a lifetime.
It's a matter of pride to me to get the film done fast, to get it done well. I understand the need for compromise. There is no such thing as a perfect shot, a perfect film. The purpose of film is not to make a monument to oneself.
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