A Quote by Radhika Pandit
The role that I played in 'Gaana Bajaana' was that of a tomboyish girl who identified with the guys. There was nothing feminine about her.
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'Gaana Bajana' gave me an opportunity to experiment with my looks. I played a tomboy in that film, a role that I hadn't essayed before. I have no regrets for having done the film.
But who wants to hang aroundfrat guys ? I want to be with guys who have more on their minds than where the next keg party is. I want to be with guys who care about making this world a better place-the way Andrew does. I want to be with guys who know that what's important isn't the size of a girl's waistband but the size of her heart-like Andrew. I want to be with guys who are able to see past a girl's outward appearance, and into her soul-like Andrew.
Feminism has nothing at all to do with being 'feminine.' Feminine means accentuating the womanly attributes that make women deliciously different from men. The feminine woman enjoys her right to be a woman. She has a positive outlook on life. She knows she is a person with her own identity and that she can seek fulfillment in the career of her choice, including that of traditional wife and mother.
The best slide solo I ever played was on... what's her name? That girl singer who used to be with that all-girl band? ... Belinda Carlisle of the Go-Go's! That's who it was. I played on one of her albums.
I played a girl. There's really nothing controversial about her. She's just fine. She has to be fine in order to make Sarah Jessica's character pop, I say I just play a white girl in that movie.
When I first came to Hollywood, I played about as many guys who save the day and get the girl as I played heavies. It's just that heavies are more interesting and last in people's minds.
In life,there are only four kinds of girls: The girl who played with fire. The girl who opened Pandora's Box. The girl who gave Adam the apple. And the girl whose best friend stole her boyfriend.
The girl who reveals herself heart and soul to her friend reveals the secrets of the entire sex; for every girl is the guardian of the feminine mysteries.
I have played Polynesian. I have played an Arabian girl. I played an East Indian girl. And what was so confusing about that, which I mention in my book, is that I assumed I had to have an accent. Nobody said anything, so I made up what I call the universal ethnic accent, and they all sounded alike. It didn't matter who I was playing.
It's odd, that's why I don't like telling people I played field hockey. It's real big in Australia for guys. But I say I played in America, and everybody goes, 'Oh, you girl!'
Dance with a girl three times, and if you like the light of her eye and the tone of voice with which she, breathless, answers your little questions about horseflesh and music about affairs masculine and feminine, then take the leap in the dark.
I was probably about fourteen I think, and probably like every boy who's fourteen that writes a song, it was about a girl. It was about a girl who I really liked, but she didn't like me as much as I liked her. I think most guys go through that.
When I looked at her, she appeared to be a different person from the one I'd known... She had rewritten everything, our history together, our friendship. Now I was the girl who'd stolen Andres; the girl who'd lied to her about who I was. Therefore, she owned me nothing.
The material world is all feminine. The feminine engergy makes the non-manifest, manifest. So even men (are of the feminine energy). We have to relinquish our ideas of gender in the conventional sense. This has nothing to do with gender, it has to do with energy. So feminine energy is what creates and allows anything which is non-manifest, like an idea, to come into form, into being, to be born. All that we experience in the world around us, absolutely everything (is feminine energy). The only way that anything exists is through the feminine force.
The street-wear and the very androgynous tomboyish girl, that's just not this new persona I'm introducing... it's me 24/7.
I played the role of Mitro in 'Mitro Marjaani' which was directed by Mr. B. M. Shah and it was really amazing because for the first time in Indian theatre, was a woman portraying someone who is bold about her physical needs and is proud of her body.
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