A Quote by Rae Armantrout

I am attracted to looking at the different things language can mean even in one sometimes quite ordinary utterance. Writing is partly about listening closely to yourself as you think or compose and being aware of the different tensions and weights among the words, the different directions any one of them could lead. I like to play with the multiplicity and instability of meaning partly out of a sense of adventure, to see where that takes me and partly in a whistling past the graveyard kind of way because, of course, sensing stable meaning fall away can be scary.
Although I am a young leader, I actually came to it strangely quite late. I have a different perspective, partly because of my family, partly because of what I did for ten years: negotiating trade deals, working out in Central Asia doing assistance projects.
I do reread, kind of obsessively, partly for the surprise of how the same book reads at a different point in life, and partly to have the sense of returning to an old friend.
Software is different than other products um, partly because it's, it's not physical and, and partly because of its complexity. You can express in software millions of different cases and making sure that you handle all of them correctly is extremely difficult.
I think casting a show is an art form in and of itself. We're all so different - the cast is made up partly of real stand-ups, partly of actors, and then partly of just legendary actors.
My father's mother was a secular Jew who died in Auschwitz. I only found out as an adult because my father never talked about it. He was a secularist and never defined himself in ethnic terms - partly, I think, because he was scared; partly out of the habit of not talking of such things; partly because he didn't like being defined by other people.
The point is that these decisions they've made are partly for your convenience and partly for theirs and partly out of stereotypes that they carry with them from the conventions of the computer field.
I've always viewed my career with some suspicion, like I don't want to count on it to be the only thing I do. Partly that has to do with feeling like an imposter, like we all do sometimes, and partly I like doing other things, and being a full-time artist takes a focus I recognise I don't have.
What restrains us from killing is partly fear of punishment, partly moral scruple, and partly what may be described as a sense of humor
I used to think that one day I'd be able to resolve the different drives I have in different directions, the tensions between the different people I am. Now I realize that is who I am. I do feel I'm getting closer to the song in my head. I wasn't looking for grace. But luckily grace was looking for me.
I'm one of those writers who started off writing novels and came to writing short stories later, partly because I didn't have the right ideas, partly because I think that short stories are more difficult. I think learning to write short stories also made me attracted toward a paring down of the novel form.
The notes I have made are not a diary in the ordinary sense, but partly lengthy records of my spiritual experiences, and partly poems in prose.
Love isn't quite desire... Love is probably a little bit in The Sandman's domain. Love is partly a dream, it's partly to do with desire, and sometimes it's partly to do with death, as well. It's also very often something to do with delirium.
The word 'happiness' always bothered me, partly because it was scientifically unwieldy and meant a lot of different things to different people, and also because it's subjective.
Out of the multitude of our sense experiences we take, mentally and arbitrarily, certain repeatedly occurring complexes of sense impression (partly in conjunction with sense impressions which are interpreted as signs for sense experiences of others), and we attribute to them a meaning the meaning of the bodily object.
You write about experiences partly to understand what they mean, partly not to lose them to time. To oblivion. But there's always the danger of the opposite happening. Losing the memory of the experience itself to the memory of writing about it.
With reference to the narrative of events, far from permitting myself to derive it from the first source that came to hand, I did not even trust my own impressions, but it rests partly on what I saw myself, partly on what others saw for me, the accuracy of the report always being tried by the most severe and detailed tests possible. My conclusions have cost me some labour from the want of coincidence between accounts of the same occurrences by different eye-witnesses, arising sometimes from imperfect memory, sometimes from undue partiality for one side or the other.
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