A Quote by Rae Carson

I don't plot with huge detail, just big moments and important elements, and then I have a structure but can fly by the seat of my pants when I write. — © Rae Carson
I don't plot with huge detail, just big moments and important elements, and then I have a structure but can fly by the seat of my pants when I write.
No two books come out the same way. Some I write by the seat of my pants; others are planned in minute detail.
I don't fly by the seat of my pants. I set strategies, and then I pursue those in unrelenting fashion.
I always write on unlined typing paper and write the first draft in longhand, using cheap Bic pens. I try to write about four pages a day, which usually yields a first draft in six months. I don't plot ahead of time, so I'm flying by the seat of my pants for the first draft.
I fly from the seat of my pants, basically.
It's not that we fly by the seat of our pants. We're not afraid of failure.
Just as the DNA is a structure of double helical bonds, so your being is a structure of elements, not physical elements, but awarenesses that have come together in a ring of power.
You can't teach an ear, you can't teach talent, but you can teach people who have those things not to just fly by the seat of their pants.
I'm definitely someone who likes to fly by the seat of her pants. My mum always prays for the best.
The good thing about the Anvil school of filmmaking was that it was fly by the seat of your pants. There was no safety net.
You and I and everybody in show business and the entertainment industry fly by the seat of our pants. We don't know quite what is going to happen.
I'm sometimes described as a flamboyant leader and a hip-shooter, a fly-by-the-seat-of-the-pants operator. But if that were true, I could never have been successful in this business.
I'm not really good at character or plot development. I'm just interested in big comedic moments.
Flying by the seat of your pants precedes crashing by the seat of your pants.
Anyone can write five people trapped in a snowstorm. The question is how you get them into the snowstorm. It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience. To think of a plot that is, as Aristotle says, surprising and yet inevitable, is a lot, lot, lot of work.
Graffiti is a lot easier than the canvas actually, because it's such a large format, so when you're going to such a thin detail, it's not that thin in the realm of things because it's such a big wall. This would take a small paint brush of detail, but on a huge wall, if that's the size of a building, the thinnest detail is still that big, it's a quick spray. Spray paint is easiest for me. I love spray paint.
Children have to fly on a separate plane, and people older than 60 have to fly on a separate plane also, because for some reason, after you get a little older, you forget that when you pull on the seat in front of you to get up from your seat that the person sitting in that seat actually feels something.
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